A detailed analysis of Dante's poem “The Divine Comedy. The Divine Comedy

He could not call his work a tragedy only because they, like all genres of “high literature,” were written in Latin. Dante wrote it in his native Italian. “The Divine Comedy” is the fruit of the entire second half of Dante’s life and work. This work most fully reflected the poet’s worldview. Dante appears here as the last great poet of the Middle Ages, a poet who continues the line of development of feudal literature.

Editions

Translations into Russian

• A. S. Norova, “Excerpt from the 3rd song of the poem Hell” (“Son of the Fatherland”, 1823, No. 30);
• F. Fan-Dim, “Hell”, translation from Italian (St. Petersburg, 1842-48; prose);
• D. E. Min “Hell”, translation in the size of the original (Moscow, 1856);
• D. E. Min, “The First Song of Purgatory” (“Russian Vest.”, 1865, 9);
• V. A. Petrova, “The Divine Comedy” (translated with Italian terzas, St. Petersburg, 1871, 3rd edition 1872; translated only “Hell”);
• D. Minaev, “The Divine Comedy” (LPts. and St. Petersburg. 1874, 1875, 1876, 1879, translated not from the original, in terzas);
• P. I. Weinberg, “Hell”, canto 3, “Vestn. Heb., 1875, No. 5);
• Golovanov N. N., “The Divine Comedy” (1899-1902);
• M. L. Lozinsky, “The Divine Comedy” (, Stalin Prize);
• A. A. Ilyushin (created in the 1980s, first partial publication in 1988, full publication in 1995);
• V. S. Lemport, “The Divine Comedy” (1996-1997);
• V. G. Marantsman, (St. Petersburg, 2006).

Structure

The Divine Comedy is constructed extremely symmetrically. It is divided into three parts: the first part (“Hell”) consists of 34 songs, the second (“Purgatory”) and the third (“Paradise”) - 33 songs each. The first part consists of two introductory songs and 32 describing hell, since there can be no harmony in it. The poem is written in terzas - stanzas consisting of three lines. This tendency towards certain numbers is explained by the fact that Dante gave them a mystical interpretation - so the number 3 is associated with the Christian idea of ​​the Trinity, the number 33 should recall the years of the earthly life of Jesus Christ, etc. In total, there are 100 songs in the Divine Comedy (the number is 100 - a symbol of perfection).

Plot

Dante's meeting with Virgil and the beginning of their journey through the underworld (medieval miniature)

According to Catholic tradition, the afterlife consists of hell, where eternally condemned sinners go, purgatory- the location of sinners atoning for their sins, and Raya- abode of the blessed.

Dante details this idea and describes the structure of the underworld, recording with graphic certainty all the details of its architectonics. In the opening song, Dante tells how, having reached the middle life path, once got lost in a dense forest and, like the poet Virgil, having saved him from three wild animals that blocked his path, he invited Dante to travel through the afterlife. Having learned that Virgil was sent to Beatrice, Dante’s deceased beloved, he surrenders without trepidation to the poet’s leadership.

Hell

Hell looks like a colossal funnel consisting of concentric circles, the narrow end of which rests on the center of the earth. Having passed the threshold of hell, inhabited by the souls of insignificant, indecisive people, they enter the first circle of hell, the so-called limbo (A., IV, 25-151), where the souls of virtuous pagans reside, who have not known the true God, but have approached this knowledge and beyond then freed from hellish torment. Here Dante sees outstanding representatives of ancient culture - Aristotle, Euripides, Homer, etc. The next circle is filled with the souls of people who once indulged in unbridled passion. Among those carried by a wild whirlwind, Dante sees Francesca da Rimini and her lover Paolo, fallen victims of forbidden love for each other. As Dante, accompanied by Virgil, descends lower and lower, he witnesses the torment of gluttons forced to suffer from rain and hail, misers and spendthrifts tirelessly rolling huge stones, angry ones getting bogged down in the swamp. They are followed by heretics and heresiarchs engulfed in eternal flames (among them Emperor Frederick II, Pope Anastasius II), tyrants and murderers floating in streams of boiling blood, suicides turned into plants, blasphemers and rapists burned by falling flames, deceivers of all kinds, torment which are very diverse. Finally, Dante enters the final, 9th circle of hell, reserved for the most terrible criminals. Here is the abode of traitors and traitors, the greatest of them - Judas Iscariot, Brutus and Cassius - they are gnawing with his three mouths by Lucifer, the angel who once rebelled against God, the king of evil, doomed to imprisonment in the center of the earth. The last song of the first part of the poem ends with a description of the terrible appearance of Lucifer.

Purgatory

Purgatory

Having passed the narrow corridor connecting the center of the earth with the second hemisphere, Dante and Virgil emerge on the surface of the earth. There, in the middle of an island surrounded by the ocean, a mountain rises in the form of a truncated cone - purgatory, like hell, consisting of a number of circles that narrow as they approach the top of the mountain. The angel guarding the entrance to purgatory allows Dante into the first circle of purgatory, having previously drawn seven Ps (Peccatum - sin) on his forehead with a sword, that is, a symbol of the seven deadly sins. As Dante rises higher and higher, passing one circle after another, these letters disappear, so that when Dante, having reached the top of the mountain, enters the “earthly paradise” located at the top of the latter, he is already free from the signs inscribed by the guardian of purgatory. The circles of the latter are inhabited by the souls of sinners atoning for their sins. Here the proud are purified, forced to bend under the burden of weights pressing on their backs, the envious, the angry, the careless, the greedy, etc. Virgil brings Dante to the gates of heaven, where he, as someone who has not known baptism, has no access.

Paradise

In the earthly paradise, Virgil is replaced by Beatrice, seated on a chariot drawn by a vulture (an allegory of the triumphant church); she encourages Dante to repentance, and then takes him, enlightened, to heaven. The final part of the poem is dedicated to Dante's wanderings through the heavenly paradise. The latter consists of seven spheres encircling the earth and corresponding to the seven planets (according to the then widespread Ptolemaic system): the spheres of the Moon, Mercury, Venus, etc., followed by the spheres of the fixed stars and the crystal sphere, - behind the crystal sphere is the Empyrean, - the infinite the region inhabited by the blessed contemplating God is the last sphere that gives life to all things. Flying through the spheres, led by Bernard, Dante sees the Emperor Justinian, introducing him to the history of the Roman Empire, teachers of the faith, martyrs for the faith, whose shining souls form a sparkling cross; ascending higher and higher, Dante sees Christ and the Virgin Mary, angels and, finally, the “heavenly Rose” - the abode of the blessed - is revealed before him. Here Dante partakes of the highest grace, achieving communion with the Creator.

"Comedy" is Dante's last and most mature work.

Analysis of the work

In form, the poem is an afterlife vision, of which there were many in medieval literature. Like the medieval poets, it rests on an allegorical core. So the dense forest, in which the poet got lost halfway through his earthly existence, is a symbol of life’s complications. The three animals that attack him there: a lynx, a lion and a she-wolf are the three most powerful passions: sensuality, lust for power, greed. These allegories are also given a political interpretation: the lynx is Florence, the spots on the skin of which should indicate the enmity of the Guelph and Ghibelline parties. The lion is a symbol of brute physical strength - France; she-wolf, greedy and lustful - papal curia. These beasts threaten the national unity of Italy, which Dante dreamed of, a unity cemented by the dominance of the feudal monarchy (some literary historians give Dante's entire poem a political interpretation). Virgil saves the poet from the beasts - reason sent to the poet Beatrice (theology - faith). Virgil leads Dante through hell to purgatory and on the threshold of heaven gives way to Beatrice. The meaning of this allegory is that reason saves a person from passions, and knowledge of divine science brings eternal bliss.

The Divine Comedy is imbued with the author's political tendencies. Dante never misses an opportunity to reckon with his ideological, even personal enemies; he hates usurers, condemns credit as “usury”, condemns his age as the age of profit and love of money. In his opinion, money is the source of all kinds of evil. He contrasts the dark present with the bright past of bourgeois Florence - feudal Florence, when simplicity of morals, moderation, knightly “courtesy” (“Paradise”, Cacciaguida’s story), and a feudal empire reigned (cf. Dante’s treatise “On the Monarchy”). The terzas of "Purgatory" accompanying the appearance of Sordello (Ahi serva Italia) sound like a real hosanna of Ghibellinism. Dante treats the papacy as a principle with the greatest respect, although he hates its individual representatives, especially those who contributed to the consolidation of the bourgeois system in Italy; Dante meets some popes in hell. His religion is Catholicism, although a personal element is woven into it, alien to the old orthodoxy, although mysticism and the Franciscan pantheistic religion of love, which are accepted with all passion, are also a sharp deviation from classical Catholicism. His philosophy is theology, his science is scholasticism, his poetry is allegory. Ascetic ideals in Dante have not yet died, and he considers free love to be a grave sin (Hell, 2nd circle, the famous episode with Francesca da Rimini and Paolo). But for him, love that attracts to the object of worship with a pure platonic impulse is not a sin (cf. “New Life”, Dante’s love for Beatrice). This is great world power, which “moves the sun and other luminaries.” And humility is no longer an unconditional virtue. “Whoever does not renew his strength in glory with victory will not taste the fruit he obtained in the struggle.” And the spirit of inquisitiveness, the desire to expand the circle of knowledge and acquaintance with the world, combined with “virtue” (virtute e conoscenza), encouraging heroic daring, is proclaimed as an ideal.

Dante built his vision from pieces of real life. The design of the afterlife was based on individual corners of Italy, which are placed in it with clear graphic contours. And there are so many living human images scattered throughout the poem, so many typical figures, so many bright psychological situations, which literature still continues to draw from there. People who suffer in hell, repent in purgatory (and the volume and nature of sin corresponds to the volume and nature of punishment), are in bliss in paradise - all living people. In these hundreds of figures, no two are identical. In this huge gallery of historical figures there is not a single image that has not been cut by the poet’s unmistakable plastic intuition. It was not for nothing that Florence experienced a period of such intense economic and cultural growth. That acute sense of landscape and man, which is shown in the Comedy and which the world learned from Dante, was possible only in the social environment of Florence, which was far ahead of the rest of Europe. Individual episodes of the poem, such as Francesca and Paolo, Farinata in his red-hot grave, Ugolino with the children, Capaneus and Ulysses, in no way similar to ancient images, the Black Cherub with subtle devilish logic, Sordello on his stone, still produce strong impression.

The concept of Hell in The Divine Comedy

Dante and Virgil in Hell

In front of the entrance are pitiful souls who did neither good nor evil during their lives, including “a bad flock of angels” who were neither with the devil nor with God.

• 1st circle (Limbo). Unbaptized Infants and Virtuous Non-Christians.
• 2nd circle. Voluptuaries (fornicators and adulterers).
• 3rd circle. Gluttons, gluttons.
• 4th circle. Misers and spendthrifts (love of excessive spending).
• 5th circle (Stygian swamp). Angry and lazy.
• 6th circle (city of Dit). Heretics and false teachers.
• 7th circle.
  • 1st belt. Violent people against their neighbors and their property (tyrants and robbers).
  • 2nd belt. Rapists against themselves (suicides) and against their property (gamblers and spendthrifts, that is, senseless destroyers of their property).
  • 3rd belt. Rapists against deity (blasphemers), against nature (sodomites) and art (extortion).
• 8th circle. Those who deceived those who did not trust. It consists of ten ditches (Zlopazukhi, or Evil Crevices), which are separated from each other by ramparts (rifts). Toward the center, the area of ​​the Evil Crevices slopes, so that each subsequent ditch and each subsequent rampart are located slightly lower than the previous ones, and the outer, concave slope of each ditch is higher than the inner, curved slope ( Hell , XXIV, 37-40). The first shaft is adjacent to the circular wall. In the center yawns the depth of a wide and dark well, at the bottom of which lies the last, ninth, circle of Hell. From the foot of the stone heights (v. 16), that is, from the circular wall, stone ridges run in radii, like the spokes of a wheel, to this well, crossing ditches and ramparts, and above the ditches they bend in the form of bridges or vaults. In Evil Crevices, deceivers are punished who deceived people who are not connected with them by special bonds of trust.
  • 1st ditch Pimps and Seducers.
  • 2nd ditch Flatterers.
  • 3rd ditch Holy merchants, high-ranking clergy who traded in church positions.
  • 4th ditch Soothsayers, fortune tellers, astrologers, witches.
  • 5th ditch Bribe takers, bribe takers.
  • 6th ditch Hypocrites.
  • 7th ditch The thieves .
  • 8th ditch Crafty advisors.
  • 9th ditch Instigators of discord (Mohammed, Ali, Dolcino and others).
  • 10th ditch Alchemists, false witnesses, counterfeiters.
• 9th circle. Those who deceived those who trusted. Ice Lake Cocytus.
  • Belt of Cain. Traitors to relatives.
  • Antenor's belt. Traitors to the motherland and like-minded people.
  • Tolomei's Belt. Traitors to friends and table mates.
  • Giudecca Belt. Traitors to benefactors, divine and human majesty.
  • In the middle, in the center of the universe, frozen into an ice floe (Lucifer) torments in his three mouths the traitors to the majesty of the earthly and heavenly (Judas, Brutus and Cassius).

Building a model of Hell ( Hell , XI, 16-66), Dante follows Aristotle, who in his “Ethics” (Book VII, Chapter I) classifies the sins of intemperance (incontinenza) in the 1st category, and the sins of violence (“violent bestiality" or matta bestialitade), to 3 - sins of deception ("malice" or malizia). In Dante, circles 2-5 are for intemperate people, circle 7 is for rapists, circles 8-9 are for deceivers (the 8th is simply for deceivers, the 9th is for traitors). Thus, the more material the sin, the more forgivable it is.

Heretics - apostates from the faith and deniers of God - are specially singled out from the host of sinners filling the upper and lower circles into the sixth circle. In the abyss of lower Hell (A., VIII, 75), with three ledges, like three steps, there are three circles - from the seventh to the ninth. In these circles, anger that uses either force (violence) or deception is punished.

The concept of Purgatory in the Divine Comedy

The three holy virtues - the so-called "theological" ones - are faith, hope and love. The rest are the four “basic” or “natural” (see note Ch., I, 23-27).

Dante depicts it as a huge mountain rising in the southern hemisphere in the middle of the Ocean. It looks like a truncated cone. The coastal strip and the lower part of the mountain form the Pre-Purgatory, and the upper part is surrounded by seven ledges (seven circles of Purgatory itself). On the flat top of the mountain, Dante places the deserted forest of the Earthly Paradise.

Virgil expounds the doctrine of love as the source of all good and evil and explains the gradation of the circles of Purgatory: circles I, II, III - love for “other people's evil,” that is, malevolence (pride, envy, anger); circle IV - insufficient love for true good (despondency); circles V, VI, VII - excessive love for false benefits (greed, gluttony, voluptuousness). The circles correspond to the biblical mortal sins.

• Prepurgatory
  • The foot of Mount Purgatory. Here the newly arrived souls of the dead await access to Purgatory. Those who died under church excommunication, but repented of their sins before death, wait for a period thirty times longer than the time they spent in “discord with the church.”
  • First ledge. Negligent, who delayed repentance until the hour of death.
  • Second ledge. Negligent people who died a violent death.
• Valley of the Earthly Rulers (not related to Purgatory)
• 1st circle. Proud people.
• 2nd circle. Envious people.
• 3rd circle. Angry.
• 4th circle. Dull.
• 5th circle. Misers and spendthrifts.
• 6th circle. Gluttonies.
• 7th circle. Voluptuous people.
• Earthly paradise.

The concept of Heaven in the Divine Comedy

(in brackets are examples of personalities given by Dante)

• 1 sky(Moon) - the abode of those who observe duty (Jephthah, Agamemnon, Constance of Normandy).
• 2 sky(Mercury) is the abode of reformers (Justinian) and innocent victims (Iphigenia).
• 3 sky(Venus) - the abode of lovers (Charles Martell, Cunizza, Folco of Marseilles, Dido, “Rhodopean woman”, Raava).
• 4 heaven(Sun) is the abode of sages and great scientists. They form two circles (“round dance”).
  • 1st circle: Thomas Aquinas, Albert von Bolstedt, Francesco Gratiano, Peter of Lombardy, Dionysius the Areopagite, Paulus Orosius, Boethius, Isidore of Seville, Bede the Venerable, Rickard, Siger of Brabant.
  • 2nd circle: Bonaventure, Franciscans Augustine and Illuminati, Hugon, Peter the Eater, Peter of Spain, John Chrysostom, Anselm, Aelius Donatus, Rabanus the Maurus, Joachim.
• 5 sky(Mars) is the abode of warriors for the faith (Joshua, Judas Maccabee, Roland, Godfrey of Bouillon, Robert Guiscard).
• 6 sky(Jupiter) is the abode of just rulers (biblical kings David and Hezekiah, Emperor Trajan, King Guglielmo II the Good and the hero of the Aeneid, Ripheus).
• 7 heaven(Saturn) - the abode of theologians and monks (Benedict of Nursia, Peter Damiani).
• 8 sky(sphere of stars).
• 9 sky(Prime Mover, crystal sky). Dante describes the structure of the heavenly inhabitants (see The ranks of angels).
• 10 sky(Empyrean) - Flaming Rose and Radiant River (the core of the rose and the arena of the heavenly amphitheater) - the abode of the Deity. Blessed souls sit on the banks of the river (the steps of the amphitheater, which is divided into 2 more semicircles - the Old Testament and the New Testament). Mary (Mother of God) is at the head, below her are Adam and Peter, Moses, Rachel and Beatrice, Sarah, Rebecca, Judith, Ruth, etc. John is sitting opposite, below him are Lucia, Francis, Benedict, Augustine, etc.

Scientific points, misconceptions and comments

• Hell , XI, 113-114. The constellation Pisces rose above the horizon, and Voz(constellation Ursa Major) inclined to the northwest(Kavr; lat. Caurus- the name of the north-west wind). This means there are two hours left before sunrise.
• Hell , XXIX, 9. That their route is twenty-two miles around.(about the inhabitants of the tenth ditch of the eighth circle) - judging by the medieval approximation of the number Pi, the diameter of the last circle of Hell is 7 miles.
• Hell , XXX, 74. Baptist sealed alloy- Florentine gold coin, florin (fiormo). On the front side was the patron saint of the city, John the Baptist, and on the reverse side was the Florentine coat of arms, the lily (fiore - flower, hence the name of the coin).
• Hell , XXXIV, 139. Each of the three cants of the Divine Comedy ends with the word “luminaries” (stelle - stars).
• Purgatory , I, 19-21. Beacon of love, beautiful planet- that is, Venus, eclipsing with its brightness the constellation Pisces in which it was located.
• Purgatory , I, 22. To the spine- that is, to the celestial pole, in this case the south.
• Purgatory , I, 30. Chariot- Ursa Major hidden behind the horizon.
• Purgatory , II, 1-3. According to Dante, Mount Purgatory and Jerusalem are located at opposite ends of the earth's diameter, so they have a common horizon. In the northern hemisphere, the apex of the celestial meridian (“midday circle”) crossing this horizon is above Jerusalem. At the hour described, the sun, visible in Jerusalem, was setting, soon to appear in the sky of Purgatory.
• Purgatory , II, 4-6. And the night...- According to medieval geography, Jerusalem lies in the very middle of the land, located in the northern hemisphere between the Arctic Circle and the equator and extending from west to east by only longitudes. The remaining three quarters of the globe are covered by the waters of the Ocean. Equally distant from Jerusalem are: in the extreme east - the mouth of the Ganges, in the extreme west - the Pillars of Hercules, Spain and Morocco. When the sun sets in Jerusalem, night approaches from the direction of the Ganges. At the described time of year, that is, at the time spring equinox, the night holds scales in its hands, that is, it is in the constellation Libra, opposing the Sun, located in the constellation Aries. In the fall, when she “overcomes” the day and becomes longer than it, she will leave the constellation Libra, that is, she will “drop” them.
• Purgatory , III, 37. Quia- a Latin word meaning “because”, and in the Middle Ages it was also used in the sense of quod (“that”). Scholastic science, following Aristotle, distinguished between two types of knowledge: scire quia- knowledge of existing - and scire propter quid- knowledge of the reasons for existing things. Virgil advises people to be content with the first kind of knowledge, without delving into the reasons for what exists.
• Purgatory , IV, 71-72. The Road Where the Unlucky Phaeton Ruled- zodiac.
• Purgatory , XXIII, 32-33. Who is looking for "omo"...- it was believed that in features human face you can read “Homo Dei” (“Man of God”), with the eyes representing two “Os”, and the eyebrows and nose representing the letter M.
• Purgatory , XXVIII, 97-108. According to Aristotelian physics, “wet vapors” generate atmospheric precipitation, and “dry vapors” generate wind. Matelda explains that only below the level of the gates of Purgatory this kind of unrest is observed, generated by steam, which “follows the heat,” that is, under the influence solar heat rises from water and from earth; at the height of the Earthly Paradise, only a uniform wind remains, caused by the rotation of the first firmament.
• Purgatory , XXVIII, 82-83. Twelve venerable elders- twenty-four books of the Old Testament.
• Purgatory , XXXIII, 43. Five hundred fifteen- a mysterious designation for the coming deliverer of the church and restorer of the empire, who will destroy the “thief” (the harlot of Song XXXII, who took someone else’s place) and the “giant” (the French king). The numbers DXV form, when the signs are rearranged, the word DVX (leader), and the oldest commentators interpret it this way.
• Purgatory , XXXIII, 139. The score is due from the beginning- In the construction of the Divine Comedy, Dante observes strict symmetry. Each of its three parts (cantik) contains 33 songs; “Hell” also contains one more song, which serves as an introduction to the entire poem. The volume of each of the hundred songs is approximately the same.
• Paradise , XIII, 51. And there is no other center in the circle- There cannot be two opinions, just as in a circle only one center is possible.
• Paradise , XIV, 102. The sacred sign was composed of two rays, which is hidden within the boundaries of the quadrants- segments of adjacent quadrants (quarters) of a circle form a cross sign.
• Paradise , XVIII, 113. In Liley M- Gothic M resembles a fleur-de-lis.
• Paradise XXV, 101-102: If Cancer had a similar pearl...- WITH

Often, because of love, actions are committed that go beyond understanding. It is customary for poets, having experienced love, to dedicate their writings to the object of feelings. But if this poet is still a person with a difficult fate and, at the same time, is not devoid of genius, there is a possibility that he is capable of writing one of the greatest works in the world. This was Dante Alighieri. His "Divine Comedy" - a masterpiece of world literature - continues to be interesting to the world 700 years after its creation.

“The Divine Comedy” was created in the second period of the great poet’s life - the period of exile (1302 - 1321). By the time he began work on the Comedy, he was already looking for a refuge for soul and body among the cities and states of Italy, and the love of his life, Beatrice, had already been in peace for several years (1290), having become a victim of a plague epidemic. Writing was a kind of consolation for Dante in his difficult life. It is unlikely that he then counted on worldwide fame or memory for centuries. But the genius of the author and the value of his poem did not allow him to be forgotten.

Genre and direction

"Comedy" is a special work in the history of world literature. If you look at it in a broad way, it is a poem. In a narrower sense, it is impossible to determine whether it belongs to one of the varieties of this genre. The problem here is that there are no more such works in terms of content. It is impossible to come up with a name that would reflect the meaning of the text. Dante decided to call the work “Comedy” by Giovanni Boccaccio, following the logic of Aristotle’s teaching on drama, where comedy was a work that started out bad and ended well. The epithet “divine” was invented in the 16th century.

In direction, this is a classic work of the Italian Renaissance. Dante's poem is characterized by special national elegance, rich imagery and accuracy. With all this, the poet also does not neglect the sublimity and freedom of thought. All these features were characteristic of the Renaissance poetry of Italy. It is they who form that unique style of Italian poetry of the 13th - 17th centuries.

Composition

Taken as a whole, the core of the poem is the hero's journey. The work consists of three parts, consisting of one hundred songs. The first part is “Hell”. It contains 34 songs, while "Purgatory" and "Paradise" have 33 songs each. The author's choice is not accidental. “Hell” stood out as a place in which there can be no harmony, well, and there are more inhabitants there.

Description of Hell

"Hell" represents nine circles. Sinners are ranked there according to the severity of their fall. Dante took Aristotle's Ethics as the basis for this system. Thus, from the second to the fifth circles they punish for the results of human intemperance:

• in the second circle - for lust;
• in the third - for gluttony;
• in the fourth - for stinginess with wastefulness;
• in the fifth - for anger;

In the sixth and seventh for the consequences of atrocities:

• in the sixth for false teachings
• in the seventh for violence, murder and suicide

In the eighth and ninth for lying and all its derivatives. A worse fate awaits Dante's traitors. According to the logic of modern, and even then, people, the most serious sin is murder. But Aristotle probably believed that a person cannot always control the desire to kill because of bestial nature, while lying is an exclusively conscious matter. Dante apparently followed the same concept.

In Inferno, everyone is Dante's political and personal enemies. Also there he placed all those who were of a different faith, seemed immoral to the poet and simply did not live like a Christian.

Description of Purgatory

"Purgatory" contains seven circles that correspond to the seven sins. Their Catholic Church later she called it mortal sins (those that can be “attrited”). In Dante they are arranged from the hardest to the most tolerable. He did this because his path should represent the path of ascent to Paradise.

Description of paradise

“Paradise” is performed in nine circles, named after the main planets of the solar system. Here are Christian martyrs, saints and scientists, participants crusades, monks, fathers of the Church, and, of course, Beatrice, who is located not just anywhere, but in the Empyrean - the ninth circle, which is presented in the form of a luminous rose, which can be interpreted as the place where God is. Despite all the Christian orthodoxy of the poem, Dante gives the circles of Paradise the names of the planets, which in meaning correspond to the names of the gods of Roman mythology. For example, the third circle (Venus) is the abode of lovers, and the sixth (Mars) is the place for warriors for the faith.

About what?

Giovanni Boccaccio, when writing a sonnet on behalf of Dante, dedicated to the purpose of the poem, said the following: “To entertain posterity and instruct in the faith.” This is true: “The Divine Comedy” can serve as an instruction in faith, because it is based on Christian teaching and clearly shows what and who will face for disobedience. And, as they say, she can entertain. Considering, for example, the fact that “Paradise” is the most unreadable part of the poem, since all the entertainment that a person loves is described in the previous two chapters, well, or the fact that the work is dedicated to Dante’s love. Moreover, the function that, as Boccaccio said, entertains, can even compete in its importance with the function of edification. After all, the poet, of course, was more of a romantic than a satirist. He wrote about himself and for himself: everyone who prevented him from living is in hell, the poem is for his beloved, and Dante’s companion and mentor, Virgil, is the favorite poet of the great Florentine (it is known that he knew his “Aeneid” by heart).

Dante's image

Dante is the main character of the poem. It is noteworthy that in the entire book his name is not indicated anywhere, except perhaps on the cover. The narration comes from his perspective, and all the other characters call him “you.” The narrator and the author have a lot in common. The "Dark Forest" in which the first one finds himself at the very beginning is the exile of the real Dante from Florence, the moment when he was truly in turmoil. And Virgil from the poem is the writings of a Roman poet that actually existed for the exile. Just as his poetry guided Dante through difficulties here, so in the afterlife Virgil is his “teacher and beloved example.” In the character system, the ancient Roman poet also personifies wisdom. The hero shows himself most well in relation to sinners who offended him personally during his lifetime. He even tells some of them in the poem that they deserve it.

Themes

• The main theme of the poem is love. The poets of the Renaissance began to elevate the earthly woman to heaven, often calling her Madonna. Love, according to Dante, is the cause and beginning of everything. She is the stimulus for writing the poem, the reason for his journey already in the context of the work, and most importantly, the reason for the beginning and existence of the Universe, as is commonly believed in Christian theology.
• Edification is the next theme of the Comedy. Dante, like everyone else in those days, felt a great responsibility for earthly life before the heavenly world. For the reader, he can act as a teacher who gives everyone what they deserve. It is clear that in the context of the poem, the inhabitants of the underworld were located as the author describes them, by the will of the Almighty.
• Policy. Dante's work can safely be called political. The poet always believed in the benefits of the emperor's power and wanted such power for his country. In total, his ideological enemies, as well as the enemies of the empire, like Caesar's murderers, experience the most terrible suffering in hell.
• Strength of mind. Dante often falls into confusion when he finds himself in the afterlife, but Virgil tells him not to do this, not stopping at any danger. However, even under unusual circumstances, the hero shows himself with dignity. He cannot not be afraid at all, since he is a man, but even for a man his fear is insignificant, which is an example of exemplary will. This will did not break either in the face of difficulties in the poet’s real life or in his book adventure.

Issues

• The fight for the ideal. Dante strived for his goals both in real life and in the poem. Once a political activist, he continues to defend his interests, branding all those who are in opposition to him and do bad things. The author, of course, cannot call himself a saint, but nevertheless he takes responsibility by distributing sinners to their places. The ideal in this matter for him is Christian teaching and his own views.
• Correlation between the earthly and afterlife worlds. Many of those who lived, according to Dante, or according to Christian law, unrighteously, but, for example, for their own pleasure and benefit for themselves, find themselves in the most terrible places in hell. At the same time, in paradise there are martyrs or those who during their lifetime became famous for great and useful deeds. The concept of punishment and reward, developed by Christian theology, exists as a moral guide for most people today.
• Death. When his beloved died, the poet was very sad. His love was not destined to come true and be embodied on earth. “The Divine Comedy” is an attempt to reunite, at least briefly, with a woman who has been lost forever.

Meaning

“The Divine Comedy” fulfills all the functions that the author intended for this work. It is a moral and humanistic ideal for everyone. Reading the “Comedy” evokes many emotions, through which a person learns what is good and what is bad, and experiences purification, the so-called “catharsis,” as Aristotle dubbed this state of mind. Through the suffering experienced in the process of reading the everyday description of hell, a person comprehends divine wisdom. As a result, he treats his actions and thoughts more responsibly, because the justice laid down from above will punish his sins. In a bright and talented manner, the artist of the word, like an icon painter, depicted scenes of reprisals against vices that enlighten the common people, popularizing and chewing on the content Holy Scripture. Dante's audience, of course, is more demanding, because they are literate, wealthy and perspicacious, but, nevertheless, they are not alien to sinfulness. Such people tended to distrust the direct moralizing of preachers and theological works, and here the exquisitely written “Divine Comedy” came to the aid of virtue, which carried the same educational and moral charge, but did it in a secularly sophisticated way. The main idea of ​​the work is expressed in this healing influence on those who are burdened with power and money.

The ideals of love, justice and the strength of the human spirit at all times are the basis of our existence, and in Dante’s work they are glorified and shown in all their significance. “The Divine Comedy” teaches a person to strive for the high destiny with which God has honored him.

Peculiarities

“The Divine Comedy” has the most important aesthetic significance because of the theme of human love that turned into tragedy, and the richest art world poems. All of the above, together with a special poetic cast and unprecedented functional diversity, make this work one of the most outstanding in world literature.

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In two of Dante Alighieri’s greatest works - “New Life” and in “The Divine Comedy” (see its summary) - the same idea is carried out. Both of them are connected by the idea that pure love ennobles human nature, and knowledge of the frailty of sensory bliss brings a person closer to God. But " New life” is just a series of lyrical poems, but the “Divine Comedy” presents a whole poem in three parts, containing up to one hundred songs, each of which contains about one hundred and forty verses.

IN early youth Dante experienced passionate love for Beatrice, daughter of Fulco Portinari. He kept it until the last days of his life, although he was never able to unite with Beatrice. Dante's love was tragic: Beatrice died at a young age, and after her death the great poet saw in her a transformed angel.

Dante Alighieri. Drawing by Giotto, 14th century

In his mature years, love for Beatrice began to gradually lose its sensual connotation for Dante, moving into a purely spiritual dimension. Healing from sensual passion was spiritual baptism for the poet. The Divine Comedy reflects this mental healing of Dante, his view of the present and the past, of his life and the lives of his friends, of art, science, poetry, Guelphs and Ghibellines, into political parties “black” and “white”. In The Divine Comedy, Dante expressed how he looks at all this comparatively and in relation to the eternal moral principle of things. In “Hell” and “Purgatory” (he often calls the second “Mountain of Mercy”) Dante considers all phenomena only from the side of their external manifestation, from the point of view of state wisdom, personified by him in his “guide” - Virgil, i.e. points of view of law, order and law. In "Paradise" all the phenomena of heaven and earth are presented in the spirit of contemplation of the deity or the gradual transformation of the soul, by which the finite spirit merges with the infinite nature of things. The transfigured Beatrice, a symbol of divine love, eternal mercy and true knowledge of God, leads him from one sphere to another and leads him to God, where there is no more limited space.

Such poetry might seem like a purely theological treatise if Dante had not peppered his journey through the world of ideas with living images. The meaning of the “Divine Comedy”, where the world and all its phenomena are described and depicted, and the allegory carried out is only slightly indicated, was very often reinterpreted when analyzing the poem. Clearly allegorical images were understood as the struggle between the Guelphs and Ghibellines, politics, the vices of the Roman church, or in general the events of modern history. This best proves how far Dante was from the empty play of fantasy and how careful he was to drown out poetry under allegory. It is desirable that his commentators be as careful as he himself when analyzing the Divine Comedy.

Monument to Dante in Piazza Santa Croce in Florence

Dante's Inferno - analysis

“I think for your own good you should follow me. I will show the way and lead you through the lands of eternity, where you will hear cries of despair, see mournful shadows that lived on earth before you, calling for the death of the soul after the death of the body. Then you will also see others rejoicing in the midst of the purifying flame, because they hope to gain access to the dwelling of the blessed. If you wish to ascend to this dwelling, then a soul that is more worthy than mine will lead you there. It will remain with you when I leave. By the will of the supreme ruler, I, who never knew his laws, was not allowed to show the way to his city. The whole universe obeys him, even his kingdom is there. There is his chosen city (sua città), there stands his throne above the clouds. Oh, blessed are those who are sought by him!

According to Virgil, Dante will have to experience in “Hell”, not in words, but in deeds, all the misery of a person who has fallen away from God, and see all the futility of earthly greatness and ambition. To do this, the poet depicts in the “Divine Comedy” an underground kingdom, where he combines everything he knows from mythology, history and his own experience about man’s violation of the moral law. Dante populates this kingdom with people who have never strived to achieve through labor and struggle a pure and spiritual existence, and divides them into circles, showing by their relative distance from each other the different degrees of sins. These circles of Hell, as he himself says in the eleventh canto, personify Aristotle’s moral teaching (ethics) about man’s deviation from the divine law.

Sometimes it's so hard to say what will happen to you in the next second! So for Sashulya Aleshina, a banal walk with the dog turned into a real adventure. The four-legged friend brought in a flash drive with a recording of a brilliant song, and meanwhile Sashulya met an amazing guy. And now the super detective from 8 “A” must solve two problems: find the owner of the flash drive, whom the famous singer really wants to meet, and understand how to behave with Leshka. After all, the guy of her dreams set a date with her best friend...

Vera Ivanova
Flash drive for the star

Tanyusik and I are preparing for the concert

For those who are not yet in the know, I’ll tell you a little about myself.

My name is Aleshina Alexandra Andreevna, or simply Sashulya, nicknamed Alekha. My other nickname – Nyushka (not to be confused with Nyusha from “Smeshariki”!) – was given to me because of my extraordinary sense of smell. I can smell smells better than a Perfumer! (For those who are not in the know, this is the main character of P. Suskind’s novel “Perfume” and a similar film.) I am 13 years old, studying in the 8th “A” grade of an ordinary Moscow school (in the class magazine under number “2” ), in physical education I am the last among the girls, I sit on the second desk by the window, my favorite lessons are literature and history, my best friend is Tatyana Vladimirovna Tychinko (or simply Tanyusik), my best friends are classmates Smysh Mikhail Evgenievich and Brykalov Arseny Illarionovich, with whom we formed the Union of Musketeers. Smysh is Athos, Krykalo is Porthos, Tanusik is Aramis, and I am right, D’Artagnan. Favorite parents are mom and dad, favorite perfume is “Premier Jury” by Nina Ricci, favorite pastime is adventures and private investigations.

Well, and most importantly, I am not just a girl, but a close relative of two national celebrities: singers Tima Milan and Sergei Puzyrev. Yes, yes, you may not believe it, but I have photographs of them, which they themselves inscribed in their own hand: “To my little sister Sasha.”

Here they are, these photographs, standing in frames on a shelf in my room. Tima has a turquoise frame with yellow birds, Sergei has a brown frame with gold stripes. And next to it is a mother-of-pearl box with other treasures. Among them are two candies, a chain with a gold leopard and two business cards.

On one of them, in beautiful silver letters, is written: “Tima.” And below is a mobile phone number. On the other side - the same thing in English. Short and stylish. Well, you, of course, understand that nothing else is needed, because we have the one and only Tim. In the address book of my mobile phone he is written as Tim Mil.

On the second business card it is written in strict black letters in two languages: “Puzyrev Sergey Borisovich.” Below is a mobile number, landline number, fax number, email number and something else. In general, solid, impressive, detailed. Yes, that’s what he is, my second older brother: reliable, solid and balanced – “positive”, as my mother would say. In my mobile phone it is Ser Puz.

The treasures appeared in the box after one incredible adventure, as a result of which I acquired star brothers. But I wrote about this in another diary, pink with white hearts. And now I have a blue one with golden angels. I hope it won't be empty either.

And today, Saturday, Tim Milan invited Tanusik and me to his concert. This phrase in itself is worthy of being framed and hung on the wall, but lately I have already begun to get used to such things. But Tanusik is not there yet. When she found out about the invitation, she was terribly worried - she was afraid that we wouldn’t get tickets. And I didn’t believe that we were on the invitation list and we didn’t need tickets.

– Are you saying that we will go to such a concert for free?!

Tanusik did not calm down until I spoke with Tima in front of her. We listened with both ears to my mobile phone, where it came from:

– Just come and say that you are on the invitation list. By the way, if you want, come straight to the sound check! Whenever you decide, call me and I’ll arrange everything.

- Oh, mommies! I'm going to fall! – Tanusik got nervous. – We will be at the sound check in Milan!

In fact, Tim invited all four of us - along with Misha Smysh and Senya Brykala, but Misha flew to Singapore with his parents yesterday, and Senya said that he doesn’t listen to any bullshit, and besides, he has bouldering training. (For those who don't already know, "bouldering" is rock climbing.)

So Tanusik and I had to go together.

“I’ll wear high-heeled boots and a checkered jacket,” Tanusik said when we were in her room figuring out how to dress.

- Will there be anything else? – I inquired.

Instead of answering, Tanusik threw the toy penguin Pigosha at me and hissed:

- Of course it will be! Yellow scarf.

- Giraffe? – I asked, grabbing Pigosha.

“It’ll do,” I approved, tossing it to Pigosha. - And I want to wear sneakers and an arafat.

Halfway through life, I - Dante - got lost in a dense forest. It’s scary, there are wild animals all around - allegories of vices; nowhere to go. And then a ghost appears, who turns out to be the shadow of my beloved ancient Roman poet Virgil. I ask him for help. He promises to take me from here to wander through the afterlife so that I can see Hell, Purgatory and Paradise. I'm ready to follow him.

Yes, but am I capable of such a journey? I became timid and hesitated. Virgil reproached me, telling me that Beatrice herself (my late beloved) came down to him from Heaven to Hell and asked him to be my guide in my wanderings in the afterlife. If so, then you cannot hesitate, you need determination. Guide me, my teacher and mentor!

There is an inscription above the entrance to Hell that takes away all hope from those entering. We entered. Here, right behind the entrance, the pitiful souls of those who did neither good nor evil during their lives groan. Next is the Acheron River. Through it, the ferocious Charon transports the dead on a boat. To us - with them. “But you’re not dead!” - Charon shouts angrily at me. Virgil pacified him. Let's swim. A roar was heard from afar, the wind was blowing, and flames flashed. I lost my senses...

The first circle of Hell is Limbo. Here the souls of unbaptized babies and glorious pagans languish - warriors, sages, poets (including Virgil). They do not suffer, but only grieve that they, as non-Christians, have no place in Paradise. Virgil and I joined the great poets of antiquity, the first of whom was Homer. They walked sedately and talked about unearthly things.

At the descent into the second circle of the underworld, the demon Minos determines which sinner should be cast into which place of Hell. He reacted to me in the same way as Charon, and Virgil pacified him in the same way. We saw the souls of voluptuaries (Cleopatra, Helen the Beautiful, etc.) carried away by a hellish whirlwind. Among them is Francesca, and here she is inseparable from her lover. Immense mutual passion led them to tragic death. With deep compassion for them, I fainted again.

In the third circle, the bestial dog Cerberus rages. He started to bark at us, but Virgil pacified him too. Here the souls of those who sinned with gluttony are lying in the mud, under a heavy downpour. Among them is my fellow countryman, the Florentine Ciacco. We talked about the fate of our hometown. Chacko asked me to remind living people about him when I return to earth.

The demon guarding the fourth circle, where spendthrifts and misers are executed (among the latter there are many clergy - popes, cardinals) - Plutos. Virgil also had to besiege him in order to get rid of him. From the fourth we descended into the fifth circle, where the angry and lazy suffer, mired in the swamps of the Stygian lowland. We approached some tower.

This is a whole fortress, around it there is a vast reservoir, in the canoe there is an oarsman, the demon Phlegius. After another squabble we sat down with him and sailed. Some sinner tried to cling to the side, I cursed him, and Virgil pushed him away. Before us is the hellish city of Deet. Any dead evil spirits prevent us from entering it. Virgil, leaving me (oh, scary alone!), went to find out what was the matter, and returned concerned, but hopeful.

And then the hellish furies appeared before us, threatening us. A heavenly messenger who suddenly appeared and curbed their anger came to the rescue. We entered Deet. Everywhere there are tombs engulfed in flames, from which the groans of heretics can be heard. We make our way along a narrow road between the tombs.

A mighty figure suddenly emerged from one of the tombs. This is Farinata, my ancestors were his political opponents. In me, having heard my conversation with Virgil, he guessed a fellow countryman by the dialect. Proud, he seemed to despise the entire abyss of Hell. We argued with him, and then another head poked out from a neighboring tomb: this is the father of my friend Guido! It seemed to him that I was dead and that his son was also dead, and he fell on his face in despair. Farinata, calm him down; Guido is alive!

Near the descent from the sixth circle to the seventh, above the grave of the heretic Pope Anastasius, Virgil explained to me the structure of the remaining three circles of Hell, tapering downwards (towards the center of the earth), and what sins are punishable in which zone of which circle.

The seventh circle is compressed by mountains and is guarded by the half-bull demon Minotaur, who roared menacingly at us. Virgil shouted at him, and we hastened to move away. They saw a stream boiling with blood, in which tyrants and robbers were boiling, and from the shore centaurs were shooting at them with bows. The centaur Nessus became our guide, told us about the executed rapists and helped us ford the boiling river.

All around there are thorny thickets with no greenery. I broke some branch, and black blood flowed from it, and the trunk groaned. It turns out that these bushes are the souls of suicides (violators of their own flesh). They are pecked by the hellish birds Harpies, trampled by the running dead, causing them unbearable pain. One trampled bush asked me to collect the broken branches and return them to him. It turned out that the unfortunate man was my fellow countryman. I complied with his request and we moved on. We see sand, flakes of fire fly down on top of it, scorching sinners who scream and moan - all except one: he lies silent. Who is this? King Kapanei, a proud and gloomy atheist, struck down by the gods for his obstinacy. He is still true to himself: he either remains silent or loudly curses the gods. “You are your own tormentor!” - Virgil shouted over him...

But the souls of new sinners are moving towards us, tormented by fire. Among them I hardly recognized my venerable teacher Brunetto Latini. He is among those who are guilty of same-sex love. We started talking. Brunetto predicted that glory awaits me in the world of the living, but there will also be many hardships that must be resisted. The teacher bequeathed to me to take care of his main work, in which he is alive - “Treasure”.

And three more sinners (same sin) dance in the fire. All Florentines, former respected citizens. I talked to them about the misfortunes of our hometown. They asked me to tell my living fellow countrymen that I saw them. Then Virgil led me to a deep hole in the eighth circle. A hellish beast will bring us down there. He's already climbing towards us from there.

This is the mottled tailed Geryon. While he is preparing to descend, there is still time to look at the last martyrs of the seventh circle - the moneylenders, tossing about in a whirlwind of flaming dust. From their necks hang colorful wallets with different coats of arms. I didn't talk to them. Let's hit the road! We sit down with Virgil astride Geryon and - oh horror! - we are gradually flying into failure, to new torment. We went down. Geryon immediately flew away.

The eighth circle is divided into ten ditches called Zlopazuchami. In the first ditch, pimps and seducers of women are executed, in the second - flatterers. Pimps are brutally scourged by horned demons, flatterers sit in a liquid mass of stinking feces - the stench is unbearable. By the way, one whore was punished here not for fornication, but for flattering her lover, saying that she felt good with him.

The next ditch (third cavity) is lined with stone, mottled with round holes, from which protrude the burning legs of high-ranking clergy who traded in church positions. Their heads and torsos are pinched by the holes in the stone wall. Their successors, when they die, will also kick their flaming legs in their place, completely pushing their predecessors into stone. This is how Pope Orsini explained it to me, at first mistaking me for his successor.

In the fourth sinus, soothsayers, astrologers, and sorceresses suffer. Their necks are twisted so that when they sob, they wet their backsides with their tears, not their chests. I myself burst into tears when I saw such a mockery of people, and Virgil shamed me; It’s a sin to feel sorry for sinners! But he, too, with sympathy, told me about his fellow countrywoman, the soothsayer Manto, after whom Mantua, the homeland of my glorious mentor, was named.

The fifth ditch is filled with boiling tar, into which the devils Gripes, black, winged, throw bribe takers and make sure that they do not stick out, otherwise they will hook the sinner and finish him off in the most cruel way. The devils have nicknames: Evil-Tail, Crooked-Winged, etc. We will have to go through part of the further path in their creepy company. They make faces, show their tongues, their boss made a deafening obscene sound with his backside. I've never heard anything like this before! We walk with them along the ditch, the sinners dive into the tar - they hide, and one hesitated, and they immediately pulled him out with hooks, intending to torment him, but first they allowed us to talk with him. The poor fellow, by cunning, lulled the vigilance of the Grudgers and dived back - they did not have time to catch him. The irritated devils fought among themselves, two of them fell into the tar. In the confusion, we hastened to leave, but it was not to be! They are flying after us. Virgil, picking me up, barely managed to run across to the sixth bosom, where they are not the masters. Here the hypocrites languish under the weight of lead and gilded clothing. And here is the crucified (nailed to the ground with stakes) Jewish high priest, who insisted on the execution of Christ. He is trampled underfoot by hypocrites weighed down with lead.

The transition was difficult: along a rocky path - into the seventh sinus. Thieves live here, bitten by monstrous poisonous snakes. From these bites they crumble into dust, but are immediately restored to their appearance. Among them is Vanni Fucci, who robbed the sacristy and blamed it on someone else. A rude and blasphemous man: he sent God away, holding up two figs. Immediately the snakes attacked him (I love them for this). Then I watched as a certain snake merged with one of the thieves, after which it took on his appearance and stood on its feet, and the thief crawled away, becoming a reptile. Miracles! You won’t find such metamorphoses in Ovid either.

Rejoice, Florence: these thieves are your offspring! It’s a shame... And in the eighth ditch live treacherous advisers. Among them is Ulysses (Odysseus), his soul is imprisoned in a flame that can speak! So, we heard the story of Ulysses about his death: eager to know the unknown, he sailed with a handful of daredevils to the other side of the world, was shipwrecked and, together with his friends, drowned far from the world inhabited by people.

Another speaking flame, in which the soul of the evil adviser, who did not call himself by name, is hidden, told me about his sin: this adviser helped the Pope in one unrighteous deed - counting on the Pope to forgive him his sin. Heaven is more tolerant of the simple-minded sinner than of those who hope to be saved by repentance. We moved to the ninth ditch, where the sowers of unrest are executed.

Here they are, the instigators of bloody strife and religious unrest. The devil will maim them heavy sword, cuts off noses and ears, crushes skulls. Here is Mohammed, who encouraged Caesar to civil war Curio, and the headless warrior-troubadour Bertrand de Born (he carries his head in his hand like a lantern, and she exclaims: “Woe!”).

Then I met my relative, angry with me because his violent death remained unavenged. Then we moved to the tenth ditch, where the alchemists suffer from the eternal itch. One of them was burned for jokingly boasting that he could fly - he became a victim of denunciation. He ended up in Hell not for this, but as an alchemist. Those who pretended to be other people, counterfeiters and liars in general are executed here. Two of them fought among themselves and then argued for a long time (Master Adam, who mixed copper into gold coins, and the ancient Greek Sinon, who deceived the Trojans). Virgil reproached me for the curiosity with which I listened to them.

Our journey through the Sinisters ends. We approached the well leading from the eighth circle of Hell to the ninth. There are ancient giants, titans. Among them were Nimrod, who angrily shouted something to us in an incomprehensible language, and Antaeus, who, at the request of Virgil, lowered us to the bottom of the well on his huge palm, and immediately straightened up.

So, we are at the bottom of the universe, near the center of the globe. In front of us is an icy lake, those who betrayed their loved ones were frozen into it. I accidentally hit one on the head with my foot, he screamed and refused to identify himself. Then I grabbed his hair, and then someone called his name. Scoundrel, now I know who you are, and I will tell people about you! And he: “Lie whatever you want, about me and about others!” And here is an ice pit, in which one dead man gnaws the skull of another. I ask: for what? Looking up from his victim, he answered me. He, Count Ugolino, takes revenge on his former like-minded person who betrayed him, Archbishop Ruggieri, who starved him and his children by imprisoning them in the Leaning Tower of Pisa. Their suffering was unbearable, the children died in front of their father’s eyes, he was the last to die. Shame on Pisa! Let's move on. Who is this in front of us? Alberigo? But, as far as I know, he didn’t die, so how did he end up in Hell? It also happens: the villain’s body still lives, but his soul is already in the underworld.

In the center of the earth, the ruler of Hell, Lucifer, frozen in ice, cast out from heaven and hollowed out the abyss of the underworld in his fall, disfigured, three-faced. Judas sticks out of his first mouth, Brutus from the second, Cassius from the third, He chews them and torments them with his claws. The worst of all is the most vile traitor - Judas. A well stretches from Lucifer leading to the surface of the opposite earthly hemisphere. We squeezed through, rose to the surface and saw the stars.

Purgatory

May the Muses help me sing of the second kingdom! His guard, Elder Cato, greeted us unfriendly: who are they? How dare you come here? Virgil explained and, wanting to appease Cato, spoke warmly of his wife Marcia. What does Marcia have to do with this? Go to the seashore, you need to wash yourself! We are going. Here it is, the distance of the sea. And there is abundant dew in the coastal grasses. With it, Virgil washed away the soot of abandoned Hell from my face.

From the distance of the sea, a boat controlled by an angel is sailing towards us. It contains the souls of the deceased who were lucky enough not to go to Hell. They landed, went ashore, and the angel swam away. The shadows of the arrivals crowded around us, and in one I recognized my friend, the singer Cosella. I wanted to hug him, but the shadow is insubstantial - I hugged myself. Cosella, at my request, began to sing about love, everyone listened, but then Cato appeared, shouted at everyone (they weren’t busy!), and we hurried to the mountain of Purgatory.

Virgil was dissatisfied with himself: he gave a reason to yell at himself... Now we need to reconnoiter the upcoming road. Let's see where the arriving shadows will move. And they themselves just noticed that I am not a shadow: I do not let light pass through me. We were surprised. Virgil explained everything to them. “Come with us,” they invited.

So, let's hurry to the foot of the purgatory mountain. But is everyone in a hurry, is everyone so impatient? Over there, near a large stone, there is a group of people who are not in a hurry to climb up: they say, they will have time; climb the one who is itching. Among these sloths I recognized my friend Belakva. It’s nice to see that he, even in life an enemy of all haste, is true to himself.

In the foothills of Purgatory, I had the opportunity to communicate with the shadows of victims of violent death. Many of them were serious sinners, but when they said goodbye to life, they managed to sincerely repent and therefore did not end up in Hell. What a shame for the devil, who has lost his prey! He, however, found a way to get even: not having gained power over the soul of the repentant dead sinner, he violated his murdered body.

Not far from all this we saw the regal and majestic shadow of Sordello. He and Virgil, recognizing each other as fellow-country poets (Mantuans), embraced brotherly. Here is an example for you, Italy, a dirty brothel, where the bonds of brotherhood are completely broken! Especially you, my Florence, are good, you can’t say anything... Wake up, look at yourself...

Sordello agrees to be our guide to Purgatory. It is a great honor for him to help the venerable Virgil. Conversing sedately, we approached a flowering, fragrant valley, where, preparing to spend the night, the shadows of high-ranking persons - European sovereigns - settled down. We watched them from afar, listening to their consonant singing.

The evening hour has come, when desires draw those who have sailed back to their loved ones, and you remember the bitter moment of farewell; when sadness takes hold of the pilgrim and he hears how the distant chime cries bitterly about the irrevocable day... An insidious serpent of temptation crawled into the valley of rest of earthly rulers, but the angels who arrived drove him out.

I lay down on the grass, fell asleep and in a dream was transported to the gates of Purgatory. The angel guarding them inscribed the same letter on my forehead seven times - the first in the word “sin” (seven deadly sins; these letters will be erased one by one from my forehead as I ascend the purgatory mountain). We entered the second kingdom of the afterlife, the gates closed behind us.

The ascent began. We are in the first circle of Purgatory, where the proud atone for their sin. In shame of pride, statues were erected here that embody the idea of ​​high feat - humility. And here are the shadows of the purifying proud: unbending during life, here they, as punishment for their sin, bend under the weight of the stone blocks piled on them.

“Our Father...” - this prayer was sung by the bent and proud people. Among them is the miniature artist Oderiz, who during his lifetime boasted of his great fame. Now, he says, he realized that there is nothing to boast about: everyone is equal in the face of death - both the old man and the baby who stammered “yum-yum”, and glory comes and goes. The sooner you understand this and find the strength to curb your pride and humble yourself, the better.

Under our feet are bas-reliefs depicting scenes of punished pride: Lucifer and Briareus cast out from heaven, King Saul, Holofernes and others. Our stay in the first circle ends. An angel who appeared erased one of the seven letters from my forehead - as a sign that I had overcome the sin of pride. Virgil smiled at me.

We went up to the second round. There are envious people here, they are temporarily blinded, their formerly “envious” eyes do not see anything. Here is a woman who, out of envy, wished harm to her fellow countrymen and rejoiced at their failures... In this circle, after death, I will not be cleansed for long, because I rarely and few envied anyone. But in the past circle of proud people - probably for a long time.

Here they are, blinded sinners, whose blood was once burned by envy. In the silence, the words of the first envious man, Cain, sounded thunderous: “Whoever meets me will kill me!” In fear, I clung to Virgil, and the wise leader told me bitter words that the highest eternal light is inaccessible to envious people, carried away by earthly lures.

We passed the second circle. The angel appeared to us again, and now only five letters remained on my forehead, which we have to get rid of in the future. We are in the third circle. A cruel vision of human rage flashed before our eyes (the crowd stoned a meek young man). In this circle those possessed by anger are purified.

Even in the darkness of Hell there was no such black darkness as in this circle, where the rage of the angry is humbled. One of them, the Lombardian Marco, got into a conversation with me and expressed the idea that everything that happens in the world cannot be understood as a consequence of the activity of higher heavenly powers: this would mean denying the freedom of human will and absolving man of responsibility for what he has done.

Reader, have you ever wandered in the mountains on a foggy evening, when you can hardly see the sun? That's how we are... I felt the touch of an angel's wing on my forehead - another letter was erased. We climbed to the fourth circle, illuminated by the last ray of sunset. Here the lazy are purified, whose love for good was slow.

Sloths here must run quickly, not allowing any indulgence in their lifetime sin. Let them be inspired by examples Holy Virgin Mary, who, as you know, had to hurry, or Caesar with his amazing efficiency. They ran past us and disappeared. I want to sleep. I sleep and dream...

I dreamed of a disgusting woman who, before my eyes, turned into a beauty, who was immediately put to shame and turned into an even worse ugly woman (here is the imaginary attractiveness of vice!). Another letter disappeared from my forehead: it means I have conquered such a vice as laziness. We rise to the fifth circle - to the misers and spendthrifts.

Stinginess, greed, greed for gold are disgusting vices. Molten gold was once poured down the throat of one obsessed with greed: drink to your health! I feel uncomfortable surrounded by misers, and then there was an earthquake. From what? In my ignorance I don’t know...

It turned out that the shaking of the mountain was caused by rejoicing that one of the souls was purified and ready to ascend: this is the Roman poet Statius, an admirer of Virgil, rejoiced that from now on he will accompany us on the path to the purgatory peak.

Another letter has been erased from my forehead, denoting the sin of stinginess. By the way, was Statius, who languished in the fifth round, stingy? On the contrary, he is wasteful, but these two extremes are punished together. Now we are in the sixth circle, where gluttons are purified. Here it would be good to remember that gluttony was not characteristic of Christian ascetics.

Former gluttons are destined to suffer the pangs of hunger: they are emaciated, skin and bones. Among them I discovered my late friend and fellow countryman Forese. We talked about our own things, scolded Florence, Forese spoke condemningly about the dissolute ladies of this city. I told my friend about Virgil and about my hopes of seeing my beloved Beatrice in the afterlife.

I had a conversation about literature with one of the gluttons, a former poet of the old school. He admitted that my like-minded people, supporters of the “new sweet style,” had achieved much more in love poetry than he himself and the masters close to him. Meanwhile, the penultimate letter has been erased from my forehead, and the path to the highest, seventh circle of Purgatory is open to me.

And I keep remembering the thin, hungry gluttons: how did they get so thin? After all, these are shadows, not bodies, and it would not be fitting for them to starve. Virgil explained: the shadows, although incorporeal, exactly repeat the outlines of the implied bodies (which would become thin without food). Here, in the seventh circle, the voluptuaries scorched by fire are purified. They burn, sing and praise examples of abstinence and chastity.

The voluptuaries, engulfed in flames, were divided into two groups: those who indulged in same-sex love and those who knew no limits in bisexual intercourse. Among the latter are the poets Guido Guinizelli and the Provencal Arnald, who elegantly greeted us in his dialect.

And now we ourselves need to go through the wall of fire. I was scared, but my mentor said that this was the way to Beatrice (to the Earthly Paradise, located on top of the purgatory mountain). And so the three of us (Statsius with us) walk, scorched by the flames. We passed, we moved on, it was getting dark, we stopped to rest, I slept; and when I woke up, Virgil turned to me with the last word parting words and approval, That’s it, from now on he will be silent...

We are in the Earthly Paradise, in a blooming grove resounding with the chirping of birds. I saw a beautiful donna singing and picking flowers. She said that there was a golden age here, innocence flourished, but then, among these flowers and fruits, the happiness of the first people was destroyed in sin. Hearing this, I looked at Virgil and Statius: both were smiling blissfully.

Oh Eva! It was so good here, you ruined everything with your daring! Living lights float past us, righteous elders in snow-white robes, crowned with roses and lilies, walk under them, and wonderful beauties dance. I couldn't stop looking at this amazing picture. And suddenly I saw her - the one I love. Shocked, I made an involuntary movement, as if trying to press myself closer to Virgil. But he disappeared, my father and savior! I burst into tears. “Dante, Virgil will not return. But you won't have to cry for him. Look at me, it's me, Beatrice! How did you get here?” - she asked angrily. Then a voice asked her why she was so strict with me. She answered that I, seduced by the lure of pleasure, was unfaithful to her after her death. Do I admit my guilt? Oh yes, tears of shame and repentance choke me, I lowered my head. "Raise your beard!" - she said sharply, not ordering him to take his eyes off her. I lost consciousness and woke up immersed in Lethe - a river that grants oblivion of committed sins. Beatrice, look now at the one who is so devoted to you and so longed for you. After a ten-year separation, I looked into her eyes, and my vision was temporarily dimmed by their dazzling brilliance. Having regained my sight, I saw a lot of beauty in the Earthly Paradise, but suddenly all this was replaced by cruel visions: monsters, desecration of sacred things, debauchery.

Beatrice deeply grieved, realizing how much evil was hidden in these visions revealed to us, but expressed confidence that the forces of good would ultimately defeat evil. We approached the Evnoe River, drinking from which strengthens the memory of the good you have done. Statius and I washed ourselves in this river. A sip of her sweetest water poured new strength into me. Now I am pure and worthy to rise to the stars.

Paradise

From the Earthly Paradise, Beatrice and I will fly together to the Heavenly Paradise, to heights beyond the comprehension of mortals. I didn’t even notice how they took off, looking at the sun. Am I really capable of doing this while still alive? However, Beatrice was not surprised by this: a purified person is spiritual, and a spirit not burdened with sins is lighter than ether.

Friends, let's part here - don't read further: you will disappear in the vastness of the incomprehensible! But if you have an insatiable hunger for spiritual food, then go ahead, follow me! We are in the first sky of Paradise - in the sky of the Moon, which Beatrice called the first star; plunged into its depths, although it is difficult to imagine a force capable of placing one closed body (which I am) into another closed body (the Moon).

In the depths of the Moon we encountered the souls of nuns kidnapped from monasteries and forcibly married off. Not through their own fault, but they did not keep the vow of virginity given during tonsure, and therefore higher heavens are inaccessible to them. Do they regret it? Oh no! To regret would mean to disagree with the highest righteous will.

But still I am perplexed: why are they to blame for submitting to violence? Why don't they rise above the sphere of the Moon? It is not the victim who should be blamed, but the rapist! But Beatrice explained that the victim also bears a certain responsibility for the violence committed against her, if, while resisting, she did not show heroic fortitude.

Failure to fulfill a vow, Beatrice argues, is practically irreparable with good deeds (too many need to be done to atone for guilt). We flew to the second heaven of Paradise - to Mercury. The souls of ambitious righteous people live here. These are no longer shadows, unlike the previous inhabitants of the underworld, but lights: they shine and radiate. One of them glowed especially brightly, rejoicing in communicating with me. It turned out that this was the Roman emperor, legislator Justinian. He realizes that being in the sphere of Mercury (and not higher) is the limit for him, for ambitious people, doing good deeds for the sake of their own glory (that is, loving themselves first of all), missed the ray of true love for the deity.

Justinian's light merged with the dance of lights - other righteous souls. I thought about it, and the train of my thoughts led me to the question: why did God the Father sacrifice his son? It was possible just like that, by the supreme will, to forgive people for the sin of Adam! Beatrice explained: the highest justice demanded that humanity itself atone for its guilt. It is incapable of this, and it was necessary to impregnate an earthly woman so that the son (Christ), combining the human with the divine, could do this.

We flew to the third heaven - to Venus, where the souls of the loving are blissful, shining in the fiery depths of this star. One of these spirit-lights is the Hungarian king Charles Martel, who, speaking to me, expressed the idea that a person can realize his abilities only by acting in a field that meets the needs of his nature: it is bad if a born warrior becomes a priest...

Sweet is the radiance of other loving souls. How much blissful light and heavenly laughter there is here! And below (in Hell) the shadows grew sad and gloomy... One of the lights spoke to me (troubadour Folko) - he condemned the church authorities, selfish popes and cardinals. Florence is the city of the devil. But nothing, he believes, will get better soon.

The fourth star is the Sun, the abode of the sages. Here shines the spirit of the great theologian Thomas Aquinas. He greeted me joyfully and showed me other sages. Their consonant singing reminded me of a church gospel.

Thomas told me about Francis of Assisi - the second (after Christ) wife of Poverty. It was following his example that the monks, including his closest disciples, began to walk barefoot. He lived a holy life and died - a naked man on bare ground - in the bosom of Poverty.

Not only I, but also the lights - the spirits of the sages - listened to Thomas's speech, stopping singing and twirling in the dance. Then Franciscan Bonaventure took the floor. In response to the praise given to his teacher by the Dominican Thomas, he glorified Thomas’s teacher, Dominic, a farmer and servant of Christ. Who now continued his work? There are no worthy ones.

And again Thomas took the floor. He talks about the great merits of King Solomon: he asked God for intelligence and wisdom - not to solve theological issues, but to intelligently rule the people, that is, royal wisdom, which was granted to him. People, do not judge each other hastily! This one is busy with a good deed, the other with an evil one, but what if the first one falls and the second one rises?

What will happen to the inhabitants of the Sun on the day of judgment, when the spirits take on flesh? They are so bright and spiritual that it is difficult to imagine them materialized. Our stay here is over, we have flown to the fifth heaven - to Mars, where the sparkling spirits of warriors for the faith are arranged in the shape of a cross and a sweet hymn sounds.

One of the lights forming this marvelous cross, without going beyond its limits, moved downward, closer to me. This is the spirit of my valiant great-great-grandfather, the warrior Kachchagvida. He greeted me and praised the glorious time in which he lived on earth and which - alas! - passed, replaced by worse times.

I am proud of my ancestor, my origin (it turns out that you can experience such a feeling not only on the vain earth, but also in Paradise!). Cacciaguida told me about himself and about his ancestors, born in Florence, whose coat of arms - a white lily - is now stained with blood.

I want to find out from him, the clairvoyant, about my future fate. What lies ahead for me? He replied that I would be expelled from Florence, in joyless wanderings I would learn the bitterness of other people's bread and the steepness of other people's stairs. To my credit, I will not associate with unclean political groups, but I will become my own party. In the end, my opponents will be put to shame, and triumph awaits me.

Cacciaguida and Beatrice encouraged me. Your stay on Mars is over. Now - from the fifth heaven to the sixth, from red Mars to white Jupiter, where the souls of the just soar. Their lights form letters, letters - first into a call for justice, and then into the figure of an eagle, a symbol of just imperial power, unknown, sinful, tormented earth, but established in heaven.

This majestic eagle entered into conversation with me. He calls himself “I”, but I hear “we” (fair power is collegial!). He understands what I myself cannot understand: why is Paradise open only to Christians? What is wrong with a virtuous Hindu who does not know Christ at all? I still don’t understand. And it’s true, the eagle admits, that a bad Christian is worse than a good Persian or Ethiopian.

The eagle personifies the idea of ​​justice, and its main thing is not its claws or beak, but its all-seeing eye, composed of the most worthy light-spirits. The pupil is the soul of the king and psalmist David, the souls of pre-Christian righteous people shine in the eyelashes (and didn’t I just mistakenly talk about Paradise “only for Christians”? This is how to give vent to doubts!).

We ascended to the seventh heaven - to Saturn. This is the abode of contemplatives. Beatrice has become even more beautiful and brighter. She did not smile at me - otherwise she would have completely incinerated me and blinded me. The blessed spirits of the contemplators were silent and did not sing - otherwise they would have deafened me. The sacred luminary, theologian Pietro Damiano, told me about this.

The spirit of Benedict, after whom one of the monastic orders is named, angrily condemned modern self-interested monks. After listening to him, we rushed to the eighth heaven, to the constellation Gemini, under which I was born, saw the sun for the first time and breathed the air of Tuscany. From its height I looked down, and my gaze, passing through the seven heavenly spheres we had visited, fell on the ridiculously small globe of the earth, this handful of dust with all its rivers and mountain steeps.

Thousands of lights burn in the eighth sky - these are the triumphant spirits of the great righteous. Intoxicated by them, my vision intensified, and now even Beatrice’s smile will not blind me. She smiled wonderfully at me and again prompted me to turn my gaze to the luminous spirits who sang a hymn to the Queen of Heaven - the Holy Virgin Mary.

Beatrice asked the apostles to talk to me. How far have I penetrated into the mysteries of sacred truths? The Apostle Peter asked me about the essence of faith. My answer: faith is an argument for the invisible; mortals cannot see with their own eyes what is revealed here in Paradise, but may they believe in a miracle without having visual evidence of its truth. Peter was pleased with my answer.

Will I, the author of the sacred poem, see my homeland? Will I be crowned with laurels where I was baptized? The Apostle James asked me a question about the essence of hope. My answer: hope is the expectation of future deserved and God-given glory. Delighted, Jacob was illuminated.

Next up is the question of love. The Apostle John asked it to me. In answering, I did not forget to say that love turns us to God, to the word of truth. Everyone rejoiced. The exam (what is Faith, Hope, Love?) was successfully completed. I saw the radiant soul of our forefather Adam, who lived briefly in the Earthly Paradise, expelled from there to earth; after the death of one who languished in Limbo for a long time; then moved here.

Four lights glow before me: three apostles and Adam. Suddenly Peter turned purple and exclaimed: “My earthly throne has been captured, my throne, my throne!” Peter hates his successor, the Pope. And it’s time for us to part with the eighth heaven and ascend to the ninth, supreme and crystal. With unearthly joy, laughing, Beatrice threw me into a rapidly rotating sphere and ascended herself.

The first thing I saw in the sphere of the ninth heaven was a dazzling point, a symbol of the deity. Lights rotate around her - nine concentric angelic circles. Those closest to the deity and therefore smaller are seraphim and cherubim, the most distant and extensive are archangels and simply angels. On earth we are accustomed to thinking that the great is greater than the small, but here, as you can see, the opposite is true.

Angels, Beatrice told me, are the same age as the universe. Their rapid rotation is the source of all the movement that occurs in the Universe. Those who hastened to fall away from their host were cast into Hell, and those who remained are still ecstatically circling in Paradise, and they do not need to think, want, or remember: they are completely satisfied!

Ascension to the Empyrean - the highest region of the Universe - is the last. I again looked at the one whose growing beauty in Paradise lifted me from heights to heights. Pure light surrounds us. There are sparkles and flowers everywhere - these are angels and blessed souls. They merge into a kind of shining river, and then take the form of a huge paradise rose.

Contemplating the rose and comprehending the general plan of Paradise, I wanted to ask Beatrice about something, but I saw not her, but a clear-eyed old man in white. He pointed upward. I looked - she was shining in an unattainable height, and I called out to her: “O donna, who left a mark in Hell, granting me help! In everything I see, I recognize your goodness. I followed you from slavery to freedom. Keep me safe in the future, so that my spirit, worthy of you, may be freed from the flesh!” She looked at me with a smile and turned to the eternal shrine. All.

The old man in white is Saint Bernard. From now on he is my mentor. We continue to contemplate the rose of the Empyrean. The souls of virgin babies also shine in it. This is understandable, but why were there souls of babies here and there in Hell - they couldn’t be vicious, unlike these? God knows best what potentials - good or bad - are inherent in which infant soul. So Bernard explained and began to pray.

Bernard prayed to the Virgin Mary for me - to help me. Then he gave me a sign to look up. Looking closely, I see the supreme and brightest light. At the same time, he did not go blind, but gained the highest truth. I contemplate the deity in his luminous trinity. And I am drawn to him by Love, which moves both the sun and the stars.