The husband of Maria Arbatova is younger than her. Masha Arbatova men

Maria Arbatova, whose biography is described in this article, is a well-known Russian writer, distinguished by her feminist views.

A family

Maria's father - Ivan Gavriilovich Gavrilin - was from the Ryazan province. He studied at the Faculty of History, later worked as deputy editor-in-chief of the Red Star. Then he was sent to Murom to teach at military academies.

Maria's mother - Tsivya Ilyinichna Aizenshtat - was born in Moscow in 1922. She studied at the medical institute, but after the evacuation from the capital she transferred to the veterinary institute. She graduated with a degree in microbiology.

In 1957, in July, the couple had a daughter, Maria. A year later they returned to Moscow, where Masha went to school. Unlike her friends, she did not join the Komsomol, motivating this with her principles.

Youth (education)

After graduating from school, Maria Ivanovna entered the Faculty of Philosophy of the country's main university. But she did not study there for long, citing ideological contradictions as the reason for her expulsion.

The writer has already twenty-two books, the first of which was published in 1991. In literary criticism, her works are usually called "women's prose". What is their phenomenon?

First of all, in the fact that Maria Arbatova represents the feminist hierarchy of values ​​in her works. Many of her books are autobiographical. By her own example, she shows the reader the basic concepts of the female world. In her books, she raises the topics of motherhood, sexuality, gender equality, and civic responsibility.

Despite all her popularity in the media, Maria Arbatova does not receive high marks from literary critics for her work.

Political and social activities

The writer participated quite a lot in the country, participating in various PR projects. For example, she wrote campaign speeches for Yeltsin and

She ran for the State Duma several times, but lost, not getting a couple of percent. She was a member of some parties ("Civil Force"), as a candidate participated in the elections to the Moscow City Duma.

After she was expelled from the list of candidates for deputies of the State Duma in December 2007, she wrote a revealing chapter about her party, including it in the book "How I honestly tried to get into the Duma." The main indignation was directed at the personality of M. Barshchevsky, the head of the party.

Maria Arbatova, whose photos often appear in the "yellow press", stands up for the rights of LGBT minorities, defends the rights of gay couples who want to have a child. In this regard, accuses the government of our country of discrimination.

Personal life

Despite the fact that the writer is not a canon of female beauty, there were always many men around her. She first married at the age of eighteen. Her chosen one was the musician Alexander Miroshnik. They met in a bohemian institution, and three days later they went to the registry office. The hasty decision did not affect the quality of family life, which lasted for seventeen years.

In this marriage, Mary gave birth to two sons - the twins Peter and Paul. Young people graduated from the Russian State Humanitarian University and successfully work in their specialties. In their youth, they played in a rock band, paying tribute to their father's talent.

Arbatova met her second husband on the day the divorce was filed with her first husband. And in their history, too, events spun like a whirlwind. Oleg Vite was a political expert. Their marriage lasted eight years.

The third marriage is still ongoing. Maria Arbatova, whose personal life consists of a series of fateful events, hopes that this union will remain until the end of her life. Her husband is Hindu Shumit Datta Gupta, who has been living in Russia since 1985.

MARIA ARBATOVA AND OLEG VITE

In the life of the most feminine Russian "feminist" there were many men. But she always outplayed all her partners in family relationships. Her latest marriage to a leading political expert, a deputy of the State Duma of the Russian Federation, Oleg Vite, was no exception. And although now a new lover loomed on the horizon, Arbatova believes that the main men of her life are still twin sons - Peter and Pavel.

“I have always been a feminist, I just didn’t know about it, like Molière’s Georges Dandin didn’t know that he had been speaking prose all his life. I simply could not help but come to feminism when I met the active workers of this movement and realized that I profess this very ideology. My entire biography is a struggle to restore self-esteem. Moreover, the struggle is not for life, but for death.

Everything is wonderful, only the ideas that Arbatova preaches can hardly be called feminism. Feminism is the struggle of women for equal rights with men, and in Russia these rights were given to the fair sex as early as 1917. As for self-esteem ... This is exactly where some “tension” occurs, and regardless of gender accessories. In addition, feminists also refuse signs of male attention, do not flirt, do not recognize manifestations of weakness in the form of fashionable clothes, hairstyles or makeup. Arbatova has never been seen in such extremes, rather the opposite. At the same time, the expert "on women's souls", who received such a high-profile title in the talk show "I myself", has always been just ... a virtuoso of outrageous society.

In fact, she "distinguished herself" not only in the television field. Having monopolized the right to represent Russian feminism, Arbatova headed the socio-political organization "Club of Women Interfering in Politics" and received the fourth "Golden Lioness" in secular results. She is the author of 14 plays that are shown in major Russian theaters, and 13 books read to holes by compatriots who are trying to find in them a recipe "how to become happy." Many Russian feminists are angry at Arbatova, who stubbornly confuses feminism with feminization, femininity with femininity, gender with gender, and gender with the ceiling. They're really angry. Masha Arbatova, after all, is just "the face of Russian feminism."

Maria Arbatova was born in 1957 in the city of Murom, Vladimir Region, in the family of a serviceman Ivan Gavrilin, but from the age of one she lived in Moscow. She was a very late child: “When I was born, my mother was 35 years old, and my father was 47. He had two sons, I was the first girl who broke off with him. And all my childhood he looked at me as a miracle of nature. In general, I believe that a successful woman is made by the admiring eyes of her father. My father died, leaving me at the age of 10, but, apparently, the supply of his love was enough for me for the rest of my life.

When the girl was one year old, she contracted polio. At that time, children were practically not vaccinated, and Masha could remain bedridden, but "got off" with a limp. Until the age of five, she lived in hospitals and sanatoriums, where they did not treat, but broke her psyche: “These were surgical experiments on children in an attempt to catch up with world orthopedics. With all this, I believe that polio saved me: if I had stayed at home, then my active mother would have simply crushed me. She is a very gifted woman who did not allow herself to be realized socially.

Masha's mother left her scientific work and followed her husband to the provinces, when in 1950 he, a teacher of Marxist-Leninist philosophy, "fell into history" and was transferred from the capital to the Vladimir region. Maria built her biography on not doing like her mother: “All my feminism, apparently, comes from here: I saw how expensive it is for a woman to give up herself and her inclinations, how her loved ones suffer from this, how quickly she stops understand grown-up children, how painfully they endure someone else's success.

When Masha was in the fourth grade, her parents sent the girl to a medical special boarding school. In the very first year, she passed her "registration" there, as in prison. The children in the boarding school were from dysfunctional families, and she was such a “wunderkind”, well-read girl beyond her years, and her handsome dad drove in the style of Marcello Mastroianni. They promised to beat her with the whole class and appointed a time in a gazebo in the forest. She came there with her head held high: “Until the last second, I had no idea that this could be so. I was from a different social stratum, my parents never touched me with a finger. And even though thirty years have passed, I clearly remember how they beat me with legs and crutches, and dragged my face along the earthen floor of the arbor. I remember how I go into the subway, covering my broken face with a scarf, I come home, I explain that I will never return to the boarding school. And the parents, having consulted, say that the team cannot be wrong. I haven't been able to forgive them for that yet."

“The main problem of our generation is,” Arbatova said many years later, “that we are the children of parents who were formed under Stalin. They have a pathological fear that someone does not stick out of the gray mass, they remember what happened to such people. Cutting off our talents and bright feathers, they sincerely wanted to save us. When Masha returned to her school, healthy children surprised her with the degree of their infantilism: “I came from a world where blood was shed and complexes were on fire, and here, as in a kindergarten, someone cried because of a lost hairpin with a bunny, and who something - because the boy did not write a note to her. With the boys, the beautiful girl had no problems, they, according to her, "always had much more than the body could absorb." In addition, she quickly became the leader in the class. And with my friends, everything was going great.

When Masha was about to move from the "class of virgins" to the "class of non-virgins", she leafed through her thick notebook and did not find anyone suitable for this event. And so I wanted a hero ... Once she was standing on Kropotkinskaya, waiting for a friend, when suddenly an artist approached her and asked her to pose for a portrait. Maria instantly understood - this is the one she was looking for: “The poor fellow barely managed to get the slate pencils, as he was drawn into my task. I arranged such an Indian movie ... The novel was short-lived, but magnificent. I remember him with cheerful tenderness. He was 30 years old, I was 15, but I lied that I was 18. We met after 20 years, he turned out to be not the worst product of his era, but if I had continued my relationship with him in my youth, I would have become nothing but an application to him".

In high school, during the holidays, Masha worked at the polyclinic registry, studied at the School for Young Journalists, wrote articles and poems in newspapers, did not join the Komsomol for reasons of principle, no matter how forced, she “actively hipped” and was going to eventually become a major Russian poetess. When she entered the Faculty of Philosophy of Moscow State University, Masha did not get half a point and was terribly worried. Walking along the avenue, she began to enter all the institutions in a row. In complete desperation, the girl went to the Literary Museum, and suddenly they took her to put up posters and serve tea to the writers.

Then she nevertheless entered the Faculty of Philosophy, but soon left it and began to attend numerous seminars and courses in psychology. At that time, Mary was promised a great and bright literary future. And when her first collection of poems was being prepared for publication, the question arose of how to sign it. The simple Russian surname Gavrilin seemed to her unsuitable for a poet. Then I remembered the nickname given to her, living on the Arbat, by her friends - Moscow hippies: Masha from the Arbat. So the writer Maria Arbatova was born.

Then she wrote her first play and applied to the A. M. Gorky Literary Institute for the drama department. It was then that 18-year-old Masha met Alexander Miroshenko, a 23-year-old Gnesinka student, in the trendy Moscow cafe Aromat, where hippies, artists and musicians gathered. On the third day of their acquaintance, young people applied to the registry office. On the eve of the wedding ceremony, the bride passed the last entrance exam to the Literary Institute, and the groom at that time ran to buy her shoes. Not knowing what kind of foot she had, he took two sizes up ...

In 1977, twin sons, Peter and Pavel, were born in the family. Raising children, a young housewife mother practically did not earn money. It was then that female social activity woke up in her: “In order not to kill anyone from sitting at home, I began to write plays and rapidly took up literary and theatrical secular life. My husband was a typical macho and ideal partner in everyday life, one of those who drags everything into the house, crafts around the clock. He had only one drawback: touring for six months.

While still a student at the Literary Institute, Maria "rudely sent off" an elderly professor, with whom, in her words, "everyone slept." And as a result, after the state exams, I could not get a diploma. The then vice-rector Yevgeny Sidorov did not know what to advise, and therefore said: "You are a playwright, come up with something." Arbatova came up with an idea: she came to the dean's office and said: "Tomorrow I'm going to the Committee of Soviet Women to see Valentina Tereshkova." In the evening, Maria received a call from the institute and was told to bring a record book, in which the missing "test" appeared.

At the same time, Maria began to share the ideas of feminism, as a continuation of the ideas of respect for human rights: “If I now entered the maternity hospital and tried to talk to me the way they said when I gave birth to my sons ... I would smash him to pieces! A woman gives birth to a man, and you can’t treat her like drunken cattle at a beer stall: “Well, you ... well, go ... lie down - you won’t die!” Can not be so! And our women not only endure, but take it all for granted. Take, for example, our primordially Russian: “He beats - it means he loves.” This is impossible to translate into any foreign language. No one will understand, because there either - beats, or - loves. For her, this ideology "flowed" from the need from childhood not to live, but to survive, to constantly make independent decisions and not rely on anyone. “The most interesting thing,” Arbatova thought, “is that the majority of women are in this position, they just don’t admit it.”

Years passed. With the fall of censorship in Russian theaters, her plays began to be staged, and publishers began to print prose. Since about 1990, Maria began to call herself a “feminist writer”: “I can write almost everything: poetry, plays, prose, screenplays, articles and presidential programs. I wrote the first article in my life when I was already a staged playwright, when they tried to expel my sons from school for self-esteem. I was lucky, brilliant people paid attention to me and set important milestones in my path. Alexander Eremenko taught me to write poetry. Arseny Tarkovsky taught not to write. Yegor Yakovlev forced to become a publicist. Galina Starovoitova - to run for the State Duma.

In 1991, she organized the Harmony women's mental rehabilitation club, which at various times combined a weekly bachelorette party, a dance class, makeup and aerobics lessons, and much more. From 1996 to the present, Arbatova has directed the Club of Women Interfering in Politics. For about five years she worked as a columnist for Obshchaya Gazeta, took part in writing Boris Yeltsin's election program (and even managed to make her feminist contribution to the creation of the Women's Rights and Children's Rights sections), and also composed the presidential election program for Ella Pamfilova . “In general,” Arbatova said, “it is more comfortable to work with women in politics than with men. They are so much more adaptable and so less ambitious that if they had money for elections, we would have raised the country in four years. Men involved in politics dramatize this craft very much. And all the intellectual machinations that men carry out in positions of power are no more difficult than what any woman in her family does every day. And at the level of intrigue, and at the level of decision-making, and most importantly, at the level of taking responsibility.

By then, her first "bohemian and emotional" marriage of 17 years had come to an end. In the new economic conditions, it has become difficult for spouses to live under the same roof, "when the husband cannot cope with the situation, which the wife copes with easily and playfully." The singer-husband "did not find himself in the reforms", and the feminist wife "turned out to be stronger, she took over everything." On October 4, 1993, they had a divorce, and Maria's feelings were already divided between three new contenders for her hand. All the candidates were foreigners, were at that time in different capitals of the world and were shocked to watch the broadcast about the tragic events in Moscow: “All three did not find the strength to call me, and I live not far from the White House. The image of a man, so delicately arranged that his own mental suffering obscures the rest of the world, crumbled into dust in my mind. And fate reacted favorably to this change, exactly the next day in Yegor Yakovlev's office in Obshchaya Gazeta I met my chosen one. I was attracted to stagnation by people who were able to resist the regime, my current hero knows how not only to protest, but also to work.

Leading expert of the Effective Policy Foundation Oleg Vite was born in 1950 in Leningrad. After a week of romance with Arbatova, he decided to divorce his then fourth wife, but the formalities dragged on until April 1994. The wedding fell on the 19th, the day he met Alexander Miroshenko, and the superstitious Arbatova postponed it for several days. But the second marriage was just as chaotic as the first. This time, Maria was in a hurry with a stamp to dissociate herself from her first husband, she was afraid of his unpredictable antics and in a hurry even forgot to buy a white dress.

In family life, Maria immediately abandoned the “position” of a housewife: “Our house is divided into some sectors. And my share in everyday life is the smallest. This is more of a general guide. The biggest thing I do is go to the convenience store with my husband. Everything else is not done by me. I'm more of a home program coordinator."

During this period, Arbatova was invited to the TV-6 channel in the women's talk show "I myself". But, having worked as a co-host for more than six years, she left the program, which glorified her throughout the country: “I left after we could not agree with Alexander Ponomarev on the rules of the game. Even then, the program space was slowly becoming paid. Such a “shop on the couch”. The hero who paid for the transfer paid money for praise to himself. I had a completely different opinion about the treatment of drug addicts by the Marshak Clinic and the University of Natalia Nesterova. I said one thing, but they mounted me exactly the opposite. Plus, the channel paid the program one tenth of what it earned, and spent the rest on the development of completely mediocre programs.

Mary's second marriage lasted 8 years. According to Arbatova, he was very politicized, correct and boring. However, although her husband sat at work for days on end, thanks to him she was surprised to find that “a man has an opinion about how and what should happen in everyday life: receiving guests, arranging furniture, cooking soup ... He actively encouraged my career, happy to solve everyday problems. He is one of those super-full men who believe that they need only spiritual and sexual intimacy from a woman. Therefore, they cannot be married on a bowl of soup and an ironed shirt every morning. We parted in a restaurant, celebrating the anniversary of our acquaintance.

The betrayal of her husband prompted her to divorce Vita Arbatov. This happened in 1999 during the elections to the State Duma, where Maria ran for the party of Kiriyenko and Gaidar. The politicians simply “set up” an inexperienced woman, agreeing behind her back with the candidate of another party, Mikhail Zadornov: “The whole team threw me at the bandits. And the husband, in my opinion, should have had a position in any form: punch Gaidar or Kiriyenko in the face. Everyone was all on the drum, they told me: “Well, we warned you that elections are difficult. Well, don't bend down, we'll shoot you." And of course, I have a complaint against my husband, since he has lived in politics for a huge number of years, knowing that before the elections I will not become different, that I will not take the money and, grateful, will not crawl away with them in my teeth from the district, so as not to interfere Mikhail Zadornov.

As a “socially oriented” person, as a “Western woman”, Maria looked at marriage in her own way: “It gives marriage, a love or friendship relationship to develop socially, or it slows me down. In the divorce situation with both the first and second husband, a list of huge claims and accusations appeared that were already unbearable. Then my husband said: “I cannot live in such an atmosphere because you consider me a traitor. And from this point of view, you build a relationship with me. Let's call the family psychologist." I answered him that, naturally, I consider him a traitor on this and that and other points. Because in 1999, when the first death threats were made against me and my children, you suddenly felt the urge to go to London and shake hands with the Laborites in their parliament. I asked him how important this trip is, because I'm not "Schwarzenegger". He flew away. Such things are not forgiven. If my husband were threatened with violence, I would stay at home, I just could not leave him in trouble.

In addition, there were many more things in which the husband behaved as if Arbatov was an abstract person running for office, and not his specific wife, whom he “knows in full”: “The husband was involved in politics. And over time, it was psychologically difficult for him to understand that on his field I quickly acquired a fairly visible outline. If at first for everyone in politics I was another wife of Oleg Vite, then later people who don’t watch TV, don’t read books, said: “Ah, Vite, this is the one who is Arbatova’s husband.” Subconsciously, Oleg could not come to terms with this title.

In general, Maria believed that a man is the best that nature has created ... for a woman. But she did not actively accept the “male formula of love”: since she “made happy” a woman with her love, it means that she has nothing more to dream about, and nowhere to strive, and pay attention to someone else. “Why would I stand on my hind legs in front of one“ lord and master ”, Arbatova frankly told reporters, “let five better stand on their hind legs in front of me, and I will choose taking into account my interest, my mood. I really like it, I think it is pleasant, comfortable and generally wonderful. In scientific language, I am for the polyandrous family, that is, for the one that was under matriarchy.

Maria calls both her divorces social. The first husband could not treat the changes in the country in an adult way, fell into depression and dumped all the problems on his wife. The second marriage broke the elections to the State Duma. In critical situations, she needed the protection of her husband. She didn't receive it. “When I divorced Oleg,” Maria said, “my sons joked: “Mamik, you need a man who would be stronger than you.” And where can I get it, because Putin is already married.

In 2002, exactly on the anniversary of the wedding with her second husband - April 16 - Maria met her new chosen one. This happened at the Kremlin Palace at the awards ceremony: “We said hello backstage, then I saw him on stage, we talked quite a bit, but everything was already clear ... He asked me to write down my mobile for him, I wrote it down. He was surprised and asked: “Why are you recording my mobile number for me? Write yours." It turned out that only one digit does not match in our phone numbers. It looked like a clear signal of something beyond our control. The funny thing is that this man is made up of the best qualities of both my husbands.”

Maria's new hobby is a married US citizen, 55-year-old Soviet emigrant Alexander Rappoport. He left Russia 12 years ago after serving 4 years in prison and knew that if he stayed, he would end up behind bars again. He was imprisoned as a doctor who refused to sign psychiatric diagnoses for dissidents. After working as a taxi driver in the USA for six months, Alexander confirmed his professional qualifications. Today, Rappoport is the most famous psychotherapist in Russian America, hosts a program on radio and TV, gives concerts as a chanson performer.

Interestingly, to the annoyance of Arbatova, Rappoport is not a feminist, unlike the first and second husbands: “He has a complex of a man who is always the smartest, strongest and knows everything better. He's used to women looking at him like they're God." This is a serious problem in the relationship, but so far, inside their romance, the attraction is stronger than the civil war. And as two people involved in psychology, they manage to negotiate. Maria is not embarrassed that Alexander is married: “Love is not determined by the presence or absence of a stamp. In my passport, for example, there is a stamp about the last marriage. But I'm not going to sign any mutual obligations with anyone yet. I am 45 years old, and I have already been married for a total of 25 years, almost most of my life. And I want to take a deep breath for a while.”

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Maria Arbatova is a narrow specialist known in wide circles in: a) psychoanalysis, b) politics, c) dramaturgy, d) writing books ... But her main talent is thoroughly hidden under the thickness of years. After all, Masha became a mother when she had just turned 20, and a mother-heroine - a stork brought her two twins, Peter and Paul. It was a long time ago, now the children are already quite adults. Today, Maria Ivanovna decided to speak frankly about how she coped with the high duty of her mother.

Maria Arbatova is a narrow specialist known in wide circles in: a) psychoanalysis, b) politics, c) dramaturgy, d) writing books ... But her main talent is thoroughly hidden under the thickness of years. After all, Masha became a mother when she had just turned 20, and a mother-heroine - a stork brought her two twins, Peter and Paul. It was a long time ago, now the children are already quite adults. Today, Maria Ivanovna decided to speak frankly about how she coped with the high duty of her mother.

— Your twin sons will turn 30 this year. Are you a grandmother?

- Not yet.

- And when will you be a grandmother?

- As soon as the sons make this decision. They do not consider themselves, like so many in their generation, ready for fatherhood. I can't tell if it makes me sad or happy, but it's their choice. I am a liberal mother... By the way, when the boys were only 7 years old, the terrible word "AIDS" appeared in the country. And in our family there is an old buffet, which was left to me by my maternal great-grandfather by the name of Aizenshtat, one of the founders of Zionism in Russia. There was a small box in this buffet, and when my children went to first grade, I put condoms there so that they always lay there, and explained what it was, why and how to use it.

You will say: “7 years is too early!”, but I think: “later” will be too late. In Russia, on average, sexual life begins at the age of fifteen, that is, for someone at 20, and for someone at 12. I did not want my grandchildren to become victims of abortion, so that my children would have an aerial marriage.

Of course, my children were already married. Now they have some new alliances.

“Oh, I feel like your sons have followed in your footsteps.

- When the children were born, I was very young and still quite infantile. They grew up with me, in many ways they teach me something.

- What?

- For example, to be in Russian modern culture. Peter first studied as a culturologist, then completed his postgraduate studies in philosophy, but did not defend his dissertation. And when he was twenty-seven years and one month old and the threat of the army had passed, his interest in science waned sharply. For a long time he worked on all sorts of political projects, wrote programs for various parties and political leaders, and was a speechwriter.

Both of my sons also worked in my elections in 1999, they helped, and I was pleased. Both of them are also musicians.

- They played in the same group "Incas"?

— Yes, but now their group is in a state of stagnation. They do not have a soloist, so now Petya is drumming in the group "Aisi Tumbrevas" ("Acid Umbrellas"). At least at the Emmaus Music Festival, they played in front of Butusov on the main stage. And although before that they performed on Red Square and I thought that there was the peak of their career, they told me: you don’t understand anything, Emmaus is cooler. And Pavel earns more money as a creative, designer and political strategist. But at the same time, he is now once again receiving the education of a psychoanalyst.

- When you told the children at such an early age what and why is in the old sideboard, your attitudes should have changed dramatically. The boys then, probably, immediately became adults?

- Absolutely not. In most European countries, sexuality education begins in kindergarten. So far, Russia has come out on top in the spread of AIDS. I'll say more. If the mother says: “You got out of the tummy, and they sewed up a hole there,” and the child sees what dogs and cats are doing to each other, then he begins to think: this is something terrible and shameful. Then the boys and girls grow up, they start having problems in their personal lives, and we, psychoanalysts, dig into it. And so you get into the depths of His or Her subconsciousness and there you find childhood traumas. Any lies of parents, especially in such a thin painful area, is always a colossal trauma ... A constant soviet story: oh-oh-oh, my girl is already twelve, I need to tell her everything; oh-oh-oh - my girl is already fourteen, it's time for her to tell everything; oh-oh-oh, my girl is already fifteen, where could she secretly have an abortion? The same with boys, only in venereology.

- You, as an advanced mother, have never reproached your sons for anything?

- There was a period (transitional age) when the sons were hung with kilograms of pins, walked in black leather jackets. But I thought: this is their body, and clothes are the language with which a person speaks with the world, and no one else dares to interfere there. All the sons passed on time, and growing up happened organically.

- But at least you forbade them something?

- Of course. Any mentally healthy parent who does not want to solve the problems of his aggression at the expense of the child, forbids him only what is dangerous for his life and health, and nothing else. The child is always the way we want to see him. In this sense, my children may be less independent than I would like, but they are twins, and for twins, all processes occur later.

- Well, what has always been forbidden for your children?

- It was impossible to fight with your feet. Once I beat them for it with a belt. In general, parents bring up a child not with prohibitions, but with their own way of life, and the child still forbids himself only what his parents cannot.

It's pointless to tell kids to be honest if they know you're stealing. So a new Russian comes to me for a consultation and cries: I brought him up, brought him up, and he ... I told him: okay, let's see what kind of business you have. Well, how can you shout to a child: my plate after you if you don’t wash it yourself, or to change your socks twice a day if you don’t do it yourself. Useless.

- And what kind of mother were you, did you take care of children a lot?

“I have done quite a lot of them. As soon as my twins were born, I was immediately fired from my job in a very complex scheme. Then I became a feminist. When I wanted to get a job somewhere, they told me: are you crazy, you have twins. I sat at home, wrote plays, and my husband provided for me. And, of course, she raised children, was engaged in secular life, so as not to turn into a domestic clown. In general, I am an excellent mother. I was a member of all the parent committees where the children studied ... That is, I am one of those mothers who should have the first, second, third and compote. And when they say to me: listen, your children look so young for their age, I answer: this is because I was engaged in them in my childhood.

“Are they your friends today?”

- Oh sure. The closest friends.

- Do they share with you all the most secret or you do not require this from them?

- The word of any parent is very weighty, so I never voiced anything without asking. And all because I have my own mother, who is in her 86th year, God bless her. And her life is to climb into everything without asking. Therefore, I, observing this, try not to repeat such mistakes.

- Now it’s clear where your desire for freedom, including sexual freedom, comes from - from the constant mother’s edification.

- It's not my thing. Such was the time. What was called the sexual revolution was part of the protest behavior. We listened to the music of the Beatles, dressed like hippies and declared to everyone that our body belongs to us. And let the grandmothers on the bench say what they want ...

About family
I have the perfect family. True, this is the third marriage, but I am friends with all my husbands. I am able to do almost everything myself, so for me, my beloved man, first of all, is a partner. We help each other develop, move forward.

About loneliness
I have been married three times. And naturally I had gaps when I took a break from the relationship. Then she woke up and sang a song by Alexander Vertinsky, performed by Grebenshchikov:

How good it is to wake up alone
In your cozy bachelor flat
And know that you don't owe anyone
Give an account to no one in the world.
I enjoyed being alone. But about 2-3 years passed, she again found her “ideal” man and married him.

About household chores
In our time, the position of men and women is leveling off. New generations are building better families, with a clear distribution of responsibilities and personal space. Marriage contracts are becoming more and more popular in our country. They often stipulate that the husband should take over half of the household chores. I believe that this is correct. I gave my children the idea that there is no division of labor into “male” and “female”. Therefore, they did not marry a bowl of soup, but beautiful, intelligent girls.

About children
I have amazing sons! They have a wonderful father, and I was able to explain that work is never divided between “male” and “female”, they are very independent. In general, I think that a boy and a girl should be brought up equally. Then they will be absolutely harmonious.

About relationships
I remember the words of Akhmatova: "You must live only with those without whom you cannot live." Now society is being rebuilt, a single woman is no longer an "old maid" or a "divorced woman". More and more people are beginning to understand that a man and a woman are equal and should live together if they love each other and feel good together. Such couples are happy and the format of marriage is not at all important. I wish everyone such unions.

REFERENCE

Maria Ivanovna Arbatova was born on July 17, 1957 in the city of Murom, Vladimir Region. Author of 14 plays staged in Russia and abroad, including Envious (1979), Alekseev and Shadows (1984), more than 20 books, the first of which is Plays for Reading (1991). She is the author of more than 70 journalistic articles. Member of the Writers' Union of Moscow and the Union of Theater Workers of Russia, president of the Center for Assistance to Women.

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Maria Arbatova: "In my youth, an astrologer predicted that I would live under a false name"

I am a feminist. It never occurred to me to change my own surname to my husband's surname. Even in the history of our country, all the wives of the first persons before Khrushchev never changed their last name. Therefore, I am very perplexed by the fact that women change their surname, abandoning their roots. I did it by accident, not on purpose, and I love my father's surname very much. Moreover, in my youth, one astrologer told me that I am a person who will live under a false name. Then he did not yet know that Arbatova was my pseudonym ... (

, Writers

Biography

She was born on July 17, 1957 in the city of Murom, Vladimir Region, in the family of Ivan Gavriilovich Gavrilin and Tsivya Ilyinichna Aizenshtadt. A year later, the family moved to Moscow. While studying at school, she did not join the Komsomol "for reasons of principle." In grades 9–10, she attended the School of Young Journalists at the Faculty of Journalism of Moscow State University. Then, according to her own statements, she became one of the activists of the Moscow hippie movement.

Father, Ivan Gavrilovich Gavrilin (1910, Kudashevo, Ryazan province - 1969), graduated from the Faculty of History of the Institute of Philosophy and Literature, and later - postgraduate studies at the Military-Political Academy. V. I. Lenina, journalist and editor, was deputy editor-in-chief of the Red Star, taught Marxist philosophy at the military academies. Lenin, them. Frunze, them. Dzerzhinsky. In 1950 he was appointed to Murom as a military teacher of Marxist philosophy, in 1958 the family returned to Moscow.

Mother, Tsivya Ilyinichna Aizenshtat (born 1922, Moscow), graduated from school with a gold medal, in 1940 she entered the 1st Moscow Medical Institute, then, in evacuation, she entered the Moscow Veterinary Institute, which was evacuated from Moscow, and graduated with a red diploma in her specialty microbiologist. In the 1990s, she became actively interested in Reiki therapy and became a successful Reiki therapist.

Maria Ivanovna entered the Faculty of Philosophy of Moscow State University, but soon expelled from it, because, according to her, "faced the strongest ideological pressure." In 1984 she graduated from the Dramaturgy Department of the Literary Institute. A. M. Gorky. Privately trained in psychoanalytic counseling in the "psychoanalytic underground" of B. G. Kravtsov and S. G. Agrachev. Since 1991, she has led the club for the psychological rehabilitation of women "Harmony". Since 1996 he has been engaged in individual counseling as a psychoanalyst. For about five years she worked as a columnist for the Obshchaya Gazeta. For five years, she worked as a co-host in the women's talk show "I myself" on TV-6 channel. Author and presenter of the human rights program "The Right to Be Yourself" on the Mayak 24 radio station.

Political and social activities

She worked in numerous PR projects and election campaigns of all levels. As an expert, she took part in writing the presidential election program of Boris Yeltsin and the presidential election program of Ella Pamfilova. She ran for the State Duma in 1999 in the University District of Moscow from the Union of Right Forces, but, gaining 14.78% of the vote, she lost to the candidate from the Yabloko party, Mikhail Zadornov, who received 20.16%. She ran for the post of Commissioner for Human Rights of the Russian Federation. She was co-chair of the Human Rights Party from 2001 to 2003, which ceased to exist at the behest of investors. She was a member of the leadership of the Free Russia party, renamed in February 2007 into the Civil Force party. She was second on the list of candidates from the Free Russia party in the elections to the Moscow City Duma on December 4, 2005, where the party received 2.22% of the vote.

In December 2007, she ran for the State Duma on the list of the Social Justice Party, which received 0.22% of the vote. Immediately before the elections, the book “How I Tried to Get into the Duma Honestly” was republished with the subtitle “A Little Artistic History of the Elections”, which was first published in 2000 and described her attempt to run for the State Duma from the Union of Right Forces in 1999. In the 2007 edition, chapters were added on her activities as co-chair of the Human Rights Party. She also spoke sharply about the "Civil Force", according to the list of which she was supposed to be nominated in the Duma of the fifth convocation. She regretted that she brought her then leader Mikhail Barshchevsky, as well as a number of well-known cultural figures, to the Civil Force. “They were used just like me,” and “thrown,” Arbatova wrote. “A day and a half before the congress, which approves the candidates for the districts, Barshchevsky, through the hands of the formal leader of the party, Ryavkin, unscrupulously kicks me out of the list.”

  • Since 1996, she has been the head of the public organization "Club of Women Interfering in Politics".
  • Supports the idea of ​​"positive discrimination".
  • She repeatedly spoke out against the violation of the rights of sexual minorities, spoke out in support of the legalization of same-sex marriages and the possibility of adoption of children by gay couples.
  • She spoke critically about the verdict on the members of the Pussy Riot group and the position of the Russian Orthodox Church on this and other issues.
  • In January 2013, she supported the adoption of a law prohibiting the adoption of Russian orphans by US citizens.

Criticism

In October 2008, during the campaign for the release of former Yukos lawyer Svetlana Bakhmina, she published an article condemning Bakhmina and her defenders. Arbatova's article caused a great public outcry, her position reached, among other things, the foreign press. Later, Maria Arbatova, together with Valeria Novodvorskaya, took part in the TV program “To the Barrier!”, where the same topic was discussed. Arbatova's position was criticized by many famous people. Tatyana Tolstaya said "it is especially disgusting that this is a woman mocking a woman." Nikolai Svanidze said "Arbatova's position is disgusting to me." Valeria Novodvorskaya said that Arbatova committed meanness and threw a stone at the victim. She also stated that Arbatova forever crossed herself out of the society of decent people. Ksenia Larina said “This is the story of the To the Barrier program, which became one of the main cultural shocks of the past year, the position of Maria Arbatova, who was categorically against the early release of Svetlana Bakhmina. It really caused a culture shock for many, you can’t say otherwise. For many, Maria Arbatova has become a person, relatively speaking, not a handshake. Irina Petrovskaya stated that Arbatova committed public suicide.

Awards from public organizations

  • 1991 - Gold Medal of the Cambridge Bibliographic Center "For Contribution to the Culture of the 20th Century" in the Drama nomination.
  • 1991 - Laureate of the All-Union Competition of Radio Dramaturgy. Radio novella "Rite of Initiation" from the play "The Late Carriage".
  • 1993 - Winner of the Literary News newspaper award for the best work in prose. The story "Abortion from the unloved".
  • 1996 - Winner of the Bonn Theater Biennale. The play "Trial Interview on Freedom" staged by the Bonn Drama Theatre.
  • 1998 - Laureate of the radio dramaturgy competition "Prize of Europe" for a radio performance based on the play "Rite of Initiation" staged by Radio Russia.
  • 2002 - Order "For Service to the Fatherland" (Saints Grand Duke Dmitry Donskoy and St. Abbot Sergius of Radonezh) of the National Charitable Foundation "Eternal Glory to the Heroes".
  • 2006 - "Order of the Peacemaker 2nd degree" of the World Charitable Alliance "Peacemaker".
  • 2007 - "Order of the Peacemaker, 1st degree" of the World Charitable Alliance "Peacemaker".
  • 2008 - Award "MONE Beauty Awards" of the beauty salon "MONE" in the nomination "Muse of Literature" ("for the ability to combine feminine softness and independence in oneself and in one's works").
  • 2010 - medal of the Kemerovo region "For Faith and Good".
  • 2012 - National Literary Award "Golden Pen of Russia" for the work "Tasting India". http://perorusi.ru/

Personal life

Arbatova was married three times:

  • Alexander Miroshnik (marriage lasted 17 years) is a classical singer. He studied at the Gnessin Musical College in the Department of Musical Comedy and at the Academic Musical College at the Conservatory. P. I. Tchaikovsky at the vocal department. He worked as a soloist in Moscow choirs and musical theaters;
  • Oleg Vite (marriage lasted 8 years) - political expert. Graduated from the Faculty of Economics of Leningrad State University and the Institute of Practical Psychology and Psychoanalysis. He worked as a columnist for Moscow News, then on Channel 1 TV, at the Working Center for Economic Reforms under the Government of the Russian Federation (1993-2000), in an expert group in the service of presidential aides (1996), at the Effective Policy Foundation (2000-2004). ), since autumn 2004 - chief expert of the Fund for the Support of Legislative Initiatives. Biographer and researcher of the work of the Soviet historian and sociologist B. F. Porshnev. Author of several scientific and journalistic works in the field of economics, political sociology, history, etc.;
  • Shumit Datta Gupta (current husband) is a financial analyst. Lives in Russia since 1985. Graduated from the Faculty of Physics, Mathematics and Natural Sciences of the Peoples' Friendship University of Russia. Nephew of Puran Chand Joshi, the first general secretary of the Communist Party of India (1935-1947), and nephew of Kalpana Datta, the national heroine of India, wife of P. C. Joshi.

In a marriage with A. Miroshnik, Arbatova had twin sons:

  • Petr Miroshnik (b. 1977) graduated from the Russian State Humanitarian University with a degree in cultural studies. Creator and editor of the online almanac "The Fourth Rome", dedicated to the architecture and sociology of the city.
  • Pavel Miroshnik (b. 1977) graduated from the Russian State Humanitarian University with a degree in psychology, a psychotherapist. In their youth, Peter and Pavel participated in the Inki rock group.

Creation

Books

  1. Plays for reading - M .: Prometheus, 1991.
  2. Drang nach Westen - Berlin: Felix Bloh Erben, 1992.
  3. Probeinterview zum Thema Freiheit - Reinbek: Rowohlt Verlag GmbH, 1996.
  4. Gleichung mit zwei gegeben - Reinbek: Rowohlt Verlag GmbH, 1996.
  5. Erobrte Bastiionen - Reinbek: Rowohlt Verlag GmbH, 1997.
  6. My name is a woman - M .: Prometheus, 1998; Moscow: Eksmo, 1999 - ISBN 5-04-003539-X; Moscow: Eksmo-Press, 2001 - ISBN 5-04-008069-7; M: AST, 2008 - ISBN 978-5-17-043667-5, ISBN 978-5-9713-6629-4.
    • French translation: Mon nom est femme - Paris: Editions Jacqueline Chambon, 2000. - ISBN 978-2-87711-231-4;
    • Polish translation: Na imię mi kobieta - Warszawa: Twój Styl, 2005 - ISBN 83-7163-554-0.
  7. Visit of an old lady. Autobiographical prose. - M.: Podkova, 1999 - ISBN 5-89517-033-1; Moscow: Eksmo, 1999 - ISBN 5-04-004754-1; Moscow: Eksmo, 2005 - ISBN 5-699-05585-1; M: AST, 2008 - ISBN 978-5-17-047862-0, ISBN 978-5-9713-7587-6.
  8. On the way to yourself - M .: Podkova, 1999;
    • English translation: On the Road to Ourselves \ Russian Mirror. Three Plays by Russian Women. - Amsterdam: Overseas Publishers Association, 1998 - ISBN 90-5755-025-3; On the Road to Myself - Amsterdam: Harwood Academic Publishers - 1999.
  9. Mobile communications - M.: Eksmo, 2000 - ISBN 5-04-004755-X; Moscow: AST, 2008 - ISBN 978-5-17-044177-8, ISBN 978-5-9713-6628-7.
  10. Against the background of Pushkin ... and the bird flies ... - M .: Eksmo, 2001 - ISBN 5-04-007940-0.
  11. The last letter to A. - M .: Eksmo, 2001 - ISBN 5-04-008257-6.
  12. Experience of social sculpture. - M.: Eksmo, 2002 - ISBN 5-04-010340-9.
  13. European lessons. - M: Eksmo-Press, 2002. - ISBN 5-04-010121-X.
  14. Farewell to the 20th century. In 2 vols. - M.: Eksmo, 2002. - ISBN 5-699-00249-9.
  15. Seven Years of Search. In 2 vols. - M.: Eksmo, 2003 - ISBN 5-699-03826-4, ISBN 5-699-04583-X; M: AST, 2008 - ISBN 978-5-17-046073-1, ISBN 978-5-9713-7588-3.
  16. I'm 46. - M .: Eksmo, 2004 - ISBN 5-699-05183-X.
  17. Love for American cars. - M.: Eksmo, 2004 - ISBN 5-699-07954-8.
  18. How I tried to honestly get into the Duma. - M.: AST, Harvest, 2007 - ISBN 978-5-17-046018-2, ISBN 978-5-9713-6401-6, ISBN 978-985-16-3319-3.
  19. Tasting India. - M.: AST, 2006 - ISBN 5-17-040576-6, ISBN 5-9713-3550-2, ISBN 978-5-9713-3550-4; Sofia: Riva, 2008.
  20. Old plays about the main thing. - M.: AST, 2008 - ISBN 978-5-17-053496-8, ISBN 978-5-9713-9176-0.
  21. Cinema, wine and dominoes. - M.: AST, 2009 - ISBN 978-5-17-060342-8, ISBN 978-5-403-01655-1.
  22. Trial by death or Iron philatelist. Co-authored with Shumit Datta Gupta - M. Astrel, 2012 - ISBN 978-5-271-40565-5.

Plays

  1. 1979 - Envious
  2. 1982 - "Equation with two known"
  3. 1984 - Alekseev and shadows
  4. 1987 - Questionnaire for Parents
  5. 1985 - "Victoria Vasilyeva through the eyes of strangers"
  6. 1987 - "Dreams on the banks of the Dnieper"
  7. 1987 - "Seminar by the Sea"
  8. 1991 - "Seshen in a communal apartment"
  9. 1991 - "Late Crew"
  10. 1992 - "Drang nah vesten"
  11. 1992 - "On the way to yourself"
  12. 1993 - "Trial interview on the topic of freedom"
  13. 1991 - "Trial session"
  14. 1994 - "The Bastille"

Screenplays

  • 1990 - I can’t forget, I can’t forgive ... (together with N. Repina)
  • 2010 - Fights. Trial by Death (with Shumit Datta Gupta)
  • 2011 - Fights. Zoya Voskresenskaya: love and intelligence

Movie roles

  • 2005 - Day Watch - episode
  • 2009 - St. Petersburg holidays - cameo

Maria Arbatova photo