Oleg Nepomniachtchi and Vsevolod Itkin. The daughter of producer Oleg Nepomniachtchi spoke about the love affair between her father and brother

The administrator of the stars, the guru of the Soviet and post-Soviet show industry Oleg Nepomnyashchy, who worked with the first persons of our stage from the 70s to the 90s - Sofia Rotaru, Alla Pugacheva, Philip Kirkorov, Vladimir Presnyakov and others, died yesterday at the age of 76 in Israel where he lived last years. Nepomniachtchi is survived by his wife Elena, adult daughter Anna, who according to some reports lives in Canada - she worked in the NHL, led groups of beginner hockey players; grandchildren. Philip Kirkorov announced the death of Nepomniachtchi on his page on the social network.

Today my first director, Oleg Naumovich Nepomniachtchi, passed away, - Kirkorov wrote. - Once back in 1983, he, the administrator of Alla Pugacheva, took me, a student of the 8th grade, to the concert "I came and I say." It was that memorable evening at the State Central Concert Hall "Russia" that became a landmark for my whole life and confirmed me in the correct choice of profession and main goal. This master class from Alla Pugacheva, which I received 33 years ago, became an example of what a real artist should be like. It is not known how everything would have turned out in my life if Oleg Naumovich had not taken pity on the poor schoolboy then and had not given that priceless back mark. A few years later, by the will of fate and chance, it was he who introduced me to the world of big show business, and he also led me down the aisle. May the earth rest in peace for you, dear Oleg

Nepomniachtchi himself spoke differently about his first meeting with Kirkorov:

In the State Central Concert Hall Pugacheva gave concerts "I came and I say." The crowd was crazy. And now, at the ticket office of the concert hall, a well-groomed, tall, dark-haired young man comes up to me and says with an accent: "Sorry, I came from Bulgaria specifically for Pugacheva's concert." I told him: "Are you stunned? Even if you were the Bulgarian ambassador, there are no tickets, you understand, no!" Imagine my surprise when, during the intermission, I saw this young man talking with someone in purely Russian. I went up to him and asked how he managed to get into the concert. Again, with an accent, he replied that his friends had helped. “Well, you are an artist,” I said and left, not understanding how he managed to do this. But he really turned out to be an artist ...

Among the stories that Nepomniachtchi shared in an interview, there were many interesting ones. We publish five striking facts about Oleg Naumovich, told by him.

Lived with four names

The unusual surname Nepomniachtchi is real. But his name was actually different, or rather, two whole: Nahum and Muslim.

I was born in the Crimea, by nationality - Karaites, this is a kind of mixture of Tatars and Jews. According to the laws of our ethnos, the son must be called the name of the father and in addition they give one more, - he said. - I began to be called Oleg in memory of a friend of my youth. And in those days, my relatives called me Alik.

Worked out of specialty

Graduated from the Institute of Oil and Gas. Gubkin and graduated with a degree in mechanical engineering for gas and oil pipelines. He had every chance to succeed in this profession, but chose a different job - with the stars.

Almost became the first husband of Alla Pugacheva

Nepomniachtchi met Alla Pugacheva in 1968, when he taught at a circus variety school, and in the summer, in order to "cheat", he traveled around the country as part of creative teams.

That time we were going to the fields, to the Tambov region. Zhanna Bichevskaya was supposed to go as a vocalist, but when it turned out that she had left with another group, I turned to Galina Uletova. Galya said that she was traveling with the Moscow Art Theater brigade, but said: "I have a good friend, Alla Pugacheva. She is graduating from the Ippolitov-Ivanov School and sings well." She gave me her phone number, I called, and Alla and I agreed to meet in the foyer of our school at one in the afternoon, so that I could introduce her to the head of the propaganda team. Pugacheva later recalled that this meeting turned out to be fateful for her in every respect. The day before, she went to the composer, who wrote many songs for her, and found him visiting the gypsy poetess Karina Filippova, who had a special gift. That evening, Alla asked her to tell fortunes about her husband, and she said that Pugacheva would marry the first man she met the next day in a state-owned house. And so it happened. Alla arrived on time, I was a little late and met my student Mykolas Orbakas on the way, who was also in a hurry to my lesson. I chided him for being late, he quickened his pace and slightly overtook me. Alla, who was waiting for me, somehow intently looked after Mykolas, who passed by her. I noticed how her green eyes shone, with devilishness at the bottom of the pupils ... A few years later I became the administrator of Pugacheva, but, probably, I could become a husband.

Traveled with Pugacheva to Chernobyl

Shortly after the accident Chernobyl nuclear power plant Pugacheva, on the instructions of the Central Committee, went to the exclusion zone - to raise the morale of those who struggled with the consequences of the tragedy. Together with her, Nepomniachtchi went on that trip. Here's how he talked about it:

When Alla and I arrived in Pripyat, the city reminded us of the country of the absurd - huge fruits on the trees, emaciated, shabby dogs with bulging eyes on the streets, wells tied with foil and not a soul around. We went to Pripyat from Kyiv on two "rafiks" and a bus. Every five kilometers we were stopped to check the level of radiation. If an alarm click was heard in the device, the machines were immediately doused with a deactivator. When we were called to dinner, everyone somehow tensed up. We boarded the steamer "Tchaikovsky", Alla jokingly said: "We're going to the scaffold!" She calmly began to eat, we followed. In the evening at the concert, she sang so selflessly that many had tears in their eyes. She sang for the last time. Viewers were forbidden to give her flowers because of the radiation. And only at the end, a poster with a bouquet of roses painted on it was brought to the stage for her ...

Once confessed his love to Marlene Dietrich

Marlene gave a concert at the Variety Theater, - said Nepomniachtchi. - I loved her songs so much that I decided to get to know her by all means. He came to Dietrich in a room at the Metropol Hotel, having previously agreed on this through her daughter Marie, and presented a record with Shulzhenko's songs. Marlene ruffled my hair and asked me to sing my favorite song to her. I chose the "Humble Blue Handkerchief". She asked me to write the lyrics to the song German and as a token of appreciation for my vocals, she gave me a neckerchief. The next day she performed "The Little Blue Handkerchief" in Russian according to my cheat sheet. And then, saying goodbye at our meeting, she asked me not to forget to write letters to her ...

PRODUCER Oleg Nepomniachtchi knew Alla Borisovna back when she was a girl. It's no joke - he has been friends and has been collaborating with Pugacheva since 1968, when the "living legend" was a simple student of a music school, who, even in the most fantastic dream, could not imagine what burden of fame would fall on her fragile shoulders over the years. Nepomniachtchi is not just a living witness to all the vicissitudes of life, ups and downs, crazy success and disappointments of a superstar. He is a direct participant in many events, from which the legendary biography of the ABP was built brick by brick.

"I was not a gray mouse even in poverty!"

In the late 1960s, I taught stage movement and pantomime to students of the clownery and musical eccentricity department of the Moscow Circus Variety School. Every summer he put together a concert brigade from his students, and we worked part-time with concerts in the outback - in the fields, farms, factories. It so happened that in the summer of 1968 we were left without an accompanist, whom we had to look for in the fire order - the trip was disrupted. One of my friends gave the phone number of a music school student to them. Ippolitova-Ivanova, recommending her as "a very talented girl who is not only an excellent pianist, but also sings very well, as she studies at the conductor and choir department." The student turned out to be Alla Pugacheva, who by that time had recorded the song "Robot", and she sounded in the most popular program of the All-Union Radio "Good morning!". Then they immediately started talking about the young singer. Having invited Alla to the school "for the bride", I then gathered everyone with whom we were supposed to go on tour.

What impression did the applicant make on you? They say that in those years she was a great modest woman, she paid little attention to fashion ...

Nonsense! Even in that poverty she was not a gray mouse, she dressed quite fashionably. In general, as far as I know her, she has always been bright, which was also emphasized by the unusual shade of her native red hair, green eyes and a lot of freckles. A strange laugh, now known to the whole world, also gave a special charm. The whole course was then amazed at what a great pianist she was, as soon as she began to play. And when she sang her songs, everyone listened spellbound, they gave an ovation. Including a student from Lithuania, Mykolas Orbakas, who a couple of years later became Alla's husband and Christina's father in May 1971.

Alla then somehow immediately joined our team so much that she soon taught at our department of musical eccentrics. A few years later, when I worked with the ensemble "Moscow and Muscovites", we invited Pugacheva to our team: I came to her house, persuaded her, which was insanely difficult - infant etc. Alla began to work, entered into a normal touring rhythm, made the program "You, Me and My Song" with Yulik Slobodkin, with which they began to travel around the country. Then in 1973 there was All-Russian competition pop artists, where Alla won with the song "Let's sit, have a rest", and already in 1975 she became super popular after performing "Arlekino" at the Golden Orpheus competition in Bulgaria, where she was awarded the Grand Prix.

Gave my place to my future husband

A LITTLE later, Alla began to sing in the "Merry Fellows" ensemble, but at that time I did not work with her. She invited me to her place as the director of the group in 1980, when for several years she had a reputation as a singer N 1 in total Soviet Union. I then replaced Evgeny Boldin, who by that time had become, as they say now, the general producer. By the way, I had the most direct relation to their acquaintance, although both Alla and Boldin present a different version of this story.

I would like to hear your version.

Well, they always tell me with such a smirk that, they say, they knew each other before me. True, when and where they could have known each other without me, I have no idea. Well, if they so want, then to health! In my time former officer Boldin was brought to me by the famous administrator Misha Plotkin, introduced himself as a wonderful person and asked me to help Boldin get a job as an administrator on the stage, or, as it is now called, in show business. I then, in 1973, just once again switched from the stage to work in the circus - so I recommended Evgeny Boldin instead of myself. And then, in 1978, at the birthday party of the same Misha Plotkin, I introduced Alla to Boldin. She then called me to work for her, but since I was not bad at the Circus on Tsvetnoy Boulevard, I advised her to take Boldin: “Here, very good man!" So he became her director, then she married him. Therefore, this photo, where I was taken on Alla's 50th birthday in the Metropol restaurant with all her three legal husbands, says, if not about everything, then about a lot: it was Nepomniachtchi who was the culprit of all these acquaintances that ended in weddings.Whatever one may say, it turns out that I am always with Alla as a matchmaker.

You covered your role in the "case" of Orbakas and Boldin quite clearly. Well, how do you relate to Philip's acquaintance with Alla? It is known, after all, that Philip's grandmother, being a neighbor of Zinaida Arkhipovna Pugacheva in the hospital ward, begged the latter so that her "star" daughter "took patronage" over the "talented boy" who, until he lost his pulse, was in love with her almost from the cradle.

Hello! But I have the most direct relation to matchmaking. Indeed, Alla at one time listened to Philip, took him to her theater, they went on tour together. But about none love relationships then there was no talk. Then they quarreled on creative grounds and did not communicate at all for several years - in principle! Philip during this time made a dizzying solo career and became a real star. Then he invited me to be his director, since we had great relationship since the days of his work at the Song Theatre. In 1994, a large superstar concert program took place in Sevastopol, to which both Alla and Philip were invited. It was there that I managed to reconcile them. Both the one and the other had country houses next door on the seashore. Philip knew that I would definitely visit Alla, and he was also fired up to meet her. He asked me what kind of fish Pugacheva likes. And she loves flounder. So we got this flounder and got it, and at night! And it was very tasty. Having attached a bottle of champagne to the flounder, Philip sent me with all these gifts to her. I entered with the words: "From the king to the queen!" Alla was flattered, but, given the "war" with Philip, she quipped: "Is this flounder poisoned?" To which I replied: "If in doubt, then let one of your associates try it!" (Alla was sitting in the house with her musicians.) And then he says: "Could your" king "now, at night, get a box of champagne?" I answer her: "No problem, Philip did not just send me here, but expressing his boundless love for you!" I immediately returned to Philip, conveyed the wish, and we began to convulsively think about where to get a box of champagne at that time, because then there were no night shops and restaurants in Sevastopol in sight. And here's luck: in our very guest house there were several bottles in the basement. We found a box, put these bottles there and, together with Philip, took it to Alla. The ice broke and contact was made. Then, already in Moscow, there were courtship, flowers and gifts from Philip, which received its logical conclusion on the day of their engagement on January 13, 1994. And then the registration took place at the Wedding Palace in St. Petersburg.

Why not Moscow?

But because Philip just at that moment had solo concerts in St. Petersburg, which Alla specially came to see. The fact that there was already an engagement was known by the then mayor Anatoly Sobchak, with whom both were friends. It was he, apparently, who convinced them to marry in his city. As mayor, he personally carried out this procedure. Everything was very beautiful and unusual. They were going to get married, but Philip's mother died. Funeral, mourning...

The patriarch allowed Pugacheva to marry

WHY was the wedding in Jerusalem? Because the Israeli tour has become a "piano in the bushes"?

No, they originally planned to get married there. Therefore, we have specially arranged a tour there in order to combine the useful with the pleasant.

Alla Borisovna, they say, asked for permission for such a wedding from the Patriarch of All Russia himself. But it is not clear what permission was required for: for a wedding after three official marriages or for a ceremony in the Russian church in Jerusalem?

Apparently, she wanted to receive a blessing for both. And received. It was an unusually beautiful ceremony at the confluence of the sea of people from among our former compatriots living in Israel, tourists from former USSR and even foreigners. They occupied the entire area in front of the temple: after all, Pugacheva herself is going down the aisle! People somehow managed to find out everything in advance, so they gathered at the appointed time. The service went on for a whole hour, and at the exit of the "young" church, Orthodox custom showered with grain and coins. From there they went to celebrate the wedding in a cozy country restaurant, where the then Russian Ambassador to Israel Alexander Bovin was among the guests. From Israel, we immediately went to Germany, where Alla and Philip had a honeymoon, and there were absolutely no concerts! The only thing they troubled themselves with was shopping - they bought household items for their residences - Philip's apartments on Zemlyanoy Val (276 sq. Meters. - Approx. ed.) and country house Alla in Istra. It was a very happy time not only for them, but also for me: it was damn nice that two of my favorite people with whom I for a long time made friends and worked, finally found their happiness.

Both a singer and a psychic

HOW, in your opinion, why has none of the modern domestic pop singers managed to surpass Alla Borisovna so far?

Because Alla has an unsurpassed vocal and acting talent. Of course, she is a great musician one hundred and fifty percent, with an amazing ear. Therefore, when she plays any piece, even a classical piece, on the piano, it always comes out perfectly accurately. At concerts, Alla often made statements that became both slogans and proverbs. The viewer has always loved to listen to what she says. Since from her mouth there was always some kind of protest. And she knew how to convey it with the words that were in the soul of everyone sitting in the hall. She generally has a pronounced psychic talent and a very strong biofield, which allows her to literally captivate the audience. And not only the songs, but also her look allows her to completely and completely own and control the hall. Hundreds of times watching the progress of Alla's concert from the audience, more than once I caught myself thinking that under the influence of her gaze I was doing exactly what her eyes wanted. For example, if she looked into the hall and she wanted the audience to stand up, then the hall would rise. Or take, for example, her most powerful oratorical message: I am sure that if she wanted the audience to leave the hall and go out into the street to some manifestation or demonstration, then everyone would follow her without hesitation.

Allah is always a protest

In this regard, it is not surprising that Alla Borisovna has the largest, most fanatical and most aggressive army of fans in our country, many of whom threw their own fate on the altar of an idol. Turning not only their own existence, but often the life of their goddess into a real theater of the absurd...

That's it! Until Alla settled outside the city behind a high fence and surrounded herself with guards, there was no peace either day or night. Fans followed her to all the concerts across the country. And in Moscow, at the famous entrance to Tverskaya, their parties did not stop 24 hours a day. Some leave, but then the "watch" is handed over to others. Those who carried this "watch" were distinguished by aggressiveness, and any word against caused them rage. Not only the whole stage, but the fans themselves tried to imitate Alla always and in everything. Fans dyed their hair red, did the same hairstyle, sewed similar clothes, tried to adopt a demeanor and declare some slogans: as it seemed to them, in the style of Pugacheva. But, almost always misunderstanding the essence of Alla, they constantly allowed frankly hooligan excesses and all kinds of twists and turns. I remember how, on principle, I did not let one ardent fan go to the concert: she was so drunk that she could not stand on her feet. In retaliation, she persuaded her "fighting girlfriends", and they gave me a "big wash". I get out of Alla's entrance, trying to get to my car. Spring, puddles all around, and I'm in an expensive new raincoat made of light husky. I immediately see that my car has a side mirror torn out by the roots. Fans, about twenty people, immediately attacked me, dumped me in a puddle, turned my raincoat into a torn doormat. And this despite the fact that they treated me very well, as I always tried to get along with them. Over the years, of course, they grew up, someone left (including from life), new ones appeared, already less aggressive. But all of them always lived in unison with the rhythms under which Alla herself lived. Allah changed - they changed too. Now this "institution of fans" is no longer the same, of course. They are different, to match the time. They somehow became calmer, thank God!

Paradox, Oleg Naumovich, it turns out! Time, on the contrary, is becoming more aggressive day by day, and the fans are more peaceful, or what?

So this is the whole point, the whole essence of Allah! And Alla, as I said, fans always copy. Who is Alla Pugacheva? It is always a protest. When there was stagnation in the country, peace and grace, Alla rebelled, she was aggressive. Today everyone is aggressive, but Alla, on the contrary, is pacified. She is different today, she is now a chic lady from high society, rich and beautiful. And in this - again a protest, again a challenge.

On Wednesday, a farewell ceremony took place in Moscow for Oleg Nepomniachtchi, who in the 80-90s worked as a producer for Philip Kirkorov and Alla Pugacheva. The man died this weekend from a heart attack. The doctors failed to save Nepomniachtchi. He was 77 years old. The tragic news was announced by Philip Kirkorov in his microblog.

The farewell ceremony for Oleg Naumovich took place at the 64th Moscow hospital, where the producer died in the cardio intensive care unit due to acute heart failure. Relatives of Nepomniachtchi, as well as artists with whom he managed to work throughout his career, gathered at the Vostryakovskoye cemetery in Moscow.

Alla Pugacheva in this moment is in Jurmala, so I could not come to the Russian capital to spend last way Oleg Nepomniachtchi. Her daughter Kristina Orbakaite attended the farewell ceremony for the director of the Diva.

“Today we said goodbye to Oleg Naumovich Nepomniachtchi. It is impossible to imagine that he is not there, all my conscious life he has been there, even if in recent years we have seen each other less often, I knew that he was thinking about me, and I felt his love. Now there are only memories of the resilient, talented, honest, cheerful Naumych. What an interesting life we had. Rest in peace. We will never forget you, ”Orbakaite wrote, posting a rare picture with the director.
Nepomniachtchi worked for several years with Christina's ex-husband Vladimir Presnyakov, helping him take his first steps in the world of show business. After himself, Oleg left memoirs “One Day Tomorrow Comes”, in which he spoke about the behind-the-scenes world and about the relationship of some stars. In his work, the director of Alla Pugacheva and Philip Kirkorov told details about the life of a star in the 80s.
“On the day when in Moscow, on the street, two steps away from the ZhEK, Pugacheva’s mother, Zinaida Arkhipovna, died, Alla was on tour in Kuibyshev, where, as elsewhere, there were numerous roll calls in queues and a crowded hall. She did not cancel the concert, but thanks to the telephone operator from the long-distance station, the whole city knew about the tragedy by evening, and the audience, without saying a word, came in black. Alla sang, as always, only, singing the song "Daughter, Mom, You and Me", she cried right on the stage. What did she have that she wouldn't give away? A selfish, uncompromising desire to have something only for oneself is akin to demonic possession, and two days later, at the funeral, the fans, who screamed about their love every morning, rushed to Alla for autographs, ”Nepomniachtchi wrote in his memoirs.

Philip Kirkorov announced the death of Oleg Nepomniachtchi on his Instagram.

"Today, my first director, Oleg Naumovich Nepomniachtchi, passed away. Once back in 1983, he, the administrator of Alla Pugacheva, took me, a student of the 8th grade, to the concert" I came and I say ". It was that memorable evening at the Rossiya State Central Concert Hall and became a landmark for my whole life and confirmed me in the correct choice of profession and the main goal! This master class from Alla Pugacheva, which I received 33 years ago, became an example of what a real artist should be. It is not known how everything would have turned out in my life, if Oleg Naumovich hadn’t taken pity on the poor schoolboy then and hadn’t given that priceless back mark.A few years later, by the will of fate and chance, it was he who introduced me to the world of big show business, and he also led me down the aisle ... May the earth be yours rest in peace, dear Oleg ... ", - he wrote.

As you know, it was Oleg Nepomniachtchi who introduced Kirkorov to Pugacheva. In addition, in his memoirs One Day Tomorrow Comes, Nepomniachtchi wrote that he played a role in the fact that Philip Bedrosovich and Alla Borisovna became husband and wife.

Reference: Oleg Naumovich Nepomniachtchi was born in the Crimea, in the village of Khlebnoe, on January 4, 1939.

Almost all of his life was connected with the national stage. At the age of 16, after graduating from high school, Oleg came to Moscow and entered the Institute of the Oil and Gas Industry. Gubkin. After a short time, he transferred to the correspondence department and was simultaneously admitted to the pantomime studio. After graduation, O. Nepomnyashchiy became a soloist of the Moscow Youth Pantomime Ensemble.

In 1968, he moved to teaching at the All-Union Circus Variety School. In the 70s, he worked in Alma-Ata, creating pop art of Kazakhstan together with the great Kazakh actress Guldzhikhan Galiyeva. They created the first national Kazakh music hall - Gulder (translated from Kazakh - flowers). In parallel, he is teaching at the choreographic school. Many of his students are currently famous actors, teachers, administrators in Greece, Germany, Israel, as well as in the countries of the present near abroad.

In the last quarter of a century, the role of Oleg Nepomnyashchiy is an administrator, director, manager of pop stars of the first magnitude. He works in the ensemble "Moskvichi", together with Alla Pugacheva, Yuli Slobodkin, Valery Durandin; ensemble "Chervona Ruta", in both Moscow circuses, the puppet theater of Sergei Obraztsov. The name of O.N. Nepomniachtchi is inseparable from the names of Sofia Rotaru, with whom he worked for a number of years as its director; Alla Pugacheva, (the program "I Came and I Say"), Vladimir Presnyakov (the programs "The Vladimir Presnyakov Show" and "Farewell to Childhood").

Nepomniachtchi was the director of Philip Kirkorov. He took part in the creation of the program "I am not Rafael" and "The best, beloved and only for you" of Philip Kirkorov's world tour. He was the executive director of Tutti-management LLC, created by Alla Pugacheva, Philip Kirkorov and Kristina Orbakaite.

Oleg Nepomniachtchi, producer and producer, dies in Israel concert director Alla Pugacheva, Philip Kirkorov, Sofia Rotaru and Vladimir Presnyakov. He was 77 years old. Kirkorov announced the death of Nepomniachtchi on his Instagram page.

Once back in 1983, he, the administrator of Alla Pugacheva, took me, a student of the 8th grade, to the concert "I came and I say." It was that memorable evening at the State Central Concert Hall "Russia" that became a landmark for my whole life and confirmed me in the correct choice of profession and main goal! This master class from Alla Pugacheva, which I received 33 years ago, became an example of what a real artist should be, the singer recalled.

Oleg Nepomniachtchi was the director of Pugacheva in the 80s. And from 1995 to 2000 he worked as Kirkorov's tour director.

According to Nepomniachtchi himself, it was he who introduced Pugacheva and Kirkorov and facilitated their wedding in 1994. Nepomniachtchi wrote about this in his memoirs "One Day Tomorrow Comes":

"- Oleg, how do you look at the fact that I'm getting married?

By inner conviction, I am not a supporter of early marriages, but I do not impose my point of view on anyone.

Fine. Who do you want to marry? The answer sounded like a joke: - On Pugacheva. Deciding that this was some kind of game again, I asked without batting an eyelid: - And what, did Alla give her consent?

No, she doesn't know yet.

He answered calmly, as if their romance had been going on for a hundred years, and he just hadn't done it yet. official offer hands and hearts.

And what are you going to do? It was beyond my power to resist the irony, but Philip was not embarrassed by my tone.

To begin with, I will give her flowers every day. Let's start ... with a hundred and one roses, and then we'll see."

Nepomniachtchi, together with the Kazakh actress Guldzhikhan Galiyeva, created the Kazakh music hall - Gulder. He is also in different years was the director of Sofia Rotaru and Vladimir Presnyakov. He starred in several films and TV series "Children in a Cage", "Pop", "Border: Taiga Romance".

QUOTATIONS FROM THE INTERVIEW

Kristina says to me: "Oleg Naumovich, why are you flattering? Well, look at my hips - they are Lithuanian!"

If I went to the United States, became the director of Madonna or Michael Jackson - he would still live!

Living with one person, Alla does not change him. She does not need it, for this period she is monogamous.

In the place of Kirkorov or Galkin, I never imagined myself and did not put myself next to Pugacheva. On the contrary, he was happy if she was happy with someone.

Volodya Presnyakov began to meet with Christina under the patronage of Alla.

Rotaru and Pugachev were not friends, but they never shared anything.