Marina Neelova what is she doing now. Filmography and biography of Marina Neelova

Marina Mstislavovna Neelova was born in Leningrad on January 8, 1947. FROM early childhood the future People's Artist of Russia was drawn to art. At the age of four, the girl was already dancing in the classroom at the ballet school, where the parents of Marina Neelova identified their daughter. And in the future, Marina was waiting hard fate theater actress and a long thorny path to the heights of true art.

Studying in St. Petersburg: In 1965, Marina Neelova entered the Theater Academy (former LGITMiK), and in 1969 she brilliantly completed her studies on the course of Vasily Merkuriev. Then it began creative biography Marina Neelova. During her studies, she made a film debut, which, in fact, determined further fate young actress. It was a role in the film "Old, Old Tale", which received rave reviews from critics. Neelova dreamed of working at the Leningrad BDT Theater under the direction of Georgy Tovstonogov, and therefore, after graduation, she set out to ask the famous director to enroll her in the troupe. However, the innate sense of tact did not allow the girl to openly make her request.

Moving to Moscow Then the biography of Marina Neelova was replenished with new pages. Having decided in the future to wait for an invitation from Tovstonogov, Marina moves to Moscow, where she enters the troupe of the Moscow City Council Theater directed by Yuri Zavadsky. At the same time, the actress meets Anatoly Efros and passes tests with him. However, the director has doubts short stature Marina Neelova. In 1974, Neelova moved to the Sovremennik Theatre, where she has been working to this day. During her formation as a theater actress, she successfully participated in several film projects. The film "Monologue" in 1972 with Mikhail Gluzsky forced critics to unanimously recognize the game of our heroine as a manifestation of the true acting skills, and films with Marina Neelova soon began to take their place at the box office. Role From 1970 to 1980, Marina Neelova successfully develops her creative career.

In theatrical performances, she plays the main and title roles, acts in films with such well-known directors as Eldar Ryazanov, Georgy Daneliya, Vadim Abdrashitov. The role of the young actress is closest to the "travesty", and the spiritual component of her roles impresses with its integrity and depth. The heroines of Neelova suffer, they are vulnerable, they are trying to resist cruel injustice. The images that the actress embodies on stage and on screen reflect the lives of many, many Russian women, their aspirations, aspirations, dreams and disappointments. Dramas and tragedies on stage Marina Neelova is a dramatic actress, even a tragic one, if we consider her roles in a narrower sense. At first glance, the most ordinary, the most insignificant events in a woman's life are presented by Neelova in the focus of in-depth analysis, and the audience, with bated breath, follows the development of the plot. However, with all the obvious dramatic background of the production, Marina is not alien to some kind of comedy, she is able to give a humorous coloring to the episode, soften the severity of what is happening on the stage and thus realize all the versatility of her theatrical skills. The audience understands this, and they are gratefultalented actress for deep impressions.

Chess etude The personal life of Marina Neelova began immediately after completing her course at the Academy of Theater Arts, when a certified actress married director Anatoly Vasiliev, moved to Moscow with him and lived in marriage for a long 8 years. Marina tries not to remember this period of her life. Neelova's real personal life actually began with an acquaintance with world chess champion Garry Kasparov. This happened in 1984 at a party with pianist Vladimir Krainev and his wife Tatyana Tarasova, who is a close friend of Marina. They met - chess player Garry Kasparov, 21, and actress Marina Neelova, she was 37 at the time. A stormy romance began, which lasted several years and ended with the birth of a child, a girl. Marina named her daughter Nika. Relations with Kasparov ended there, and largely thanks to the efforts of the mother of the champion, who did not particularly favor the actress Neelova with her attention. The influence of Garry Kasparov's mother on her son was overwhelming. Klara Shagenovna took care of her only child in all directions. She accompanied the chess player on his trips to competitions, where she sat behind him during the match and watched the game closely, believing that with her silent presence she helped her son win.

Nick's daughter Nika Neelova-Gevorgyan, daughter of Marina Neelova and Kirill Gevorgyan (not by relationship, but by recognition), today a well-known artist, works in installation, lives in London. During her stay in Holland with her father, the head of the Russian diplomatic mission in Amsterdam, Nika entered the Royal Academy of Arts, graduated from it and then continued her studies at UCL SLADE of FINE ART, the London School of Fine Arts, receiving a master's degree after graduation. Nika is fluent in French and English. art became a part of her life, the installations of the artist Nika Neelova-Gevorgyan are exhibited in prestigious art salons around the world. Last competition, in which Nika took part, was organized by the London Charles Saatchi Gallery for graduates of art institutes in England. The young artist took first place and received the prize awarded to her in live 4 UK television channels. Daughter and her work What is Nika's art installation? This is a combination of the most unpredictable materials, objects and stationery. How can lamb bones be used in art, for example? Anthracite charcoal, walnut shells or dried insects? After all, all of the above is natural material, which means that in the hands of the artist it can take a unique, inimitable form. And the artist Nika, deeply creative person, daughter of Marina Neelova, creates her fantastic interesting images, folding, gluing, combining and combining. Her work has been awarded with diplomas. The artist Ilya Kabakov, who has reached unattainable heights in the field of installation, characterizes Nika's works as an example of new, previously unknown solutions in art. Perhaps, in the creation of exclusive works, Nika is helped by her independent and decisive character, which was cultivated in a five-year-old girl by her father and mother. Immediately after the family moved to Paris, Nika went to school without knowing a single French word. Classmates teased her, laughed at her Russian origin. Nika only frowned, and after three months she began to speak French. Classmates and parents opened their mouths in surprise when they heard quite correct phrases from the lips of little Nika Neelova-Gevorgyan.

Marriage: In the early 90s, Marina Neelova devoted herself entirely to work in the theater, experiencing a period of relative loneliness. At the same time, she periodically had roles in films. All free time Marina devoted herself to raising her daughter. And when Kirill Goratsievich Gevorgyan appeared in her life, the actress saw in this acquaintance new perspective life for yourself. future husband Marina Neelova was a diplomat, a responsible officer of the Ministry of Foreign Affairs of Russia. For a long time worked abroad. Despite the age difference, Marina Neelova and Kirill Gevorgyan got married. The husband was six years younger than his wife, but this did not affect their relationship. In 1993, the diplomat Gevorgyan was assigned to France, and the whole family moved from Moscow to Paris. Now Marina had to periodically come to the performances of Sovremennik, which were impossible without her, since the audience went to Neelova. The actress was tired of constant flights, but there was no way out, she could not leave her native theater. Galina Volchek, artistic director of the theatre, tried to adjust the performances according to Marina's visits, and to some extent she succeeded.

The biography of Marina Neelova, thanks to numerous voyages, became more and more meaningful. Gradually the situation improved. Neelova's husband worked at the Russian embassy, little Nika went to school, and Marina lived between Paris and Moscow. Theater The repertoire of the "Sovremennik" theater includes many productions based on works of literary classics. Marina Neelova, whose biography is constantly updated with new roles, is busy in almost all of these performances. "Three Sisters" and " The Cherry Orchard"Chekhov, "Twelfth Night" by Shakespeare, "Inspector General" by Gogol, "Anfisa" by Leonid Andreev. And in just 30 years of service in Sovremennik, the actress played more than 60 roles. In the play "The Cherry Orchard" in 1976, Marina got the role of Anya, who "The Cherry Orchard" in the production of 1997 already allowed her to play the role of Ranevskaya. Lyubov Andreevna Ranevskaya, performed by Marina Neelova, shocked the audience on the day of the premiere. The tragedy of the finale, the inevitability and hopelessness of grief - all this was written on Ranevskaya's face. And in the wide-open eyes reflected the pain from the blows of the ax that cut down the cherry trees. Cinema The filmography of Marina Neelova has about 50 paintings with her participation. Some of them went unnoticed. As the actress herself says: "I would leave a few films, and cross out the rest ". But such films as "Autumn Marathon" or "You are my only one" are not forgotten, many viewers watch them several times. Marina leads all her film roles unobtrusively in, nobly, emphatically correct. Her heroines have an internal culture, they are shy and reserved. And at the same time, each of them is capable of an explosion, decisive action, if it concerns the native loved one. As it was in the movie "Autumn Marathon", in the episode when Andrei Buzykin almost gets hit by a car. Alla runs up and (where the quiet employee of the mashbureau has just disappeared) attacks the dumbfounded driver of the Gazelle like a kite. Such reincarnations are not possible for every actress. Neelova improvises on the go, not paying attention to the script, and her vision of the situation gives a special emotional coloring to the episode.

Family The biography of Marina Neelova can tell us a lot about the qualities of the character of the actress. She is a doubting person, constantly analyzing everything and everything. Once she had complexes about her too thin waist, forced the dressmaker to measure it several times, because she did not want to admit that her waist was only 54 centimeters. Marina for some reason believed that this was not very normal, it was simply unacceptable. Once, when asked by her friends how she was doing in family life, Marina sadly replied: "This is the only role that I do not succeed." At the same time, everyone knows that she is happy in her marriage, and her husband Kirill Gevorgyan simply does not have a soul in her and is ready to wear (and wears) in her arms. The family of Neelova and Gevorgyan is friendly, but their daughter is trying to distance herself from her parents out of a desire to be completely independent.

Rejection of the past: Neelova is one of the few high-class actresses who manage to combine their profession and home, family existence in all its manifestations into one whole. Marina knows how to delete episodes from her life, just like in the editing room at a film studio, whole pieces of film are cut out, irrevocably and without regret. Often the actress is asked if she really does not remember her former passion, Kasparov. And gradually everyone begins to understand that there will never be an answer to this question. Marina cut out everything unnecessary from her past with mounting scissors. The biography of Neelova Marina Mstislavovna, thus, is undergoing a kind of editing, revealing to the public only the most important events in the life of the actress.

Documentary film: Not so long ago - in 2011 - was filmed documentary"Do not ask me about my novels" about the life and work of Marina Neelova. For an hour, the actress talked about herself, about her work in her native theater "Sovremennik", about her daughter and husband. Kirill Gevorgyan, the husband of Marina, also took part in the filming of the film, and Nika Neelova-Gevorgyan, her daughter, spoke about herself. But not a word was said about the chess player Kasparov, to whom the actress devoted several years of her life.

December 17, 2015, 17:59

About young Kasparov's romance with wonderful actress Marina Neelova gossiped all theatrical Moscow. When they met, Marina was 37 years old, and Garik was 21.

In 1984, Kasparov met actress Marina Neelova. He was 21 years old, and he was the youngest contender for the title of world champion in the history of chess.

“Our close communication with Marina Neelova lasted more than two years. She was 16 years older than me, like all my then girlfriends. Partly because I grew up so fast. But much more due to the fact that the same age, as a rule, sought to get married as soon as possible. Of course, I could not even think about this, as I was preparing for my first match for the world championship. Everything - my health, my training, my aspirations - was subordinated to this goal. On the other hand, I was a normal young man with normal needs and desires. Not a monk at all.

She and I had many common friends among writers and artists. She is a very extraordinary woman. It is quite possible that our union was also based on a sense of our exclusivity. (From Garry Kasparov's book "Child of Change")

He then lived in Baku and visited Moscow only on short visits. Neelova received a young lover in her apartment on Chistye Prudy. But in the light they have repeatedly appeared together. When in 1984 Kasparov first met in a world title match with Anatoly Karpov, Neelova was sitting in the hall next to the mother of the chess player.

The actress supported Kasparov at a difficult time for him. In the match for the world title with Anatoly Karpov, he first lost. Yes, even with a score of 0:5! Harry was even nicknamed the long-playing player. At matches, Neelova sat next to Klara Shagenovna. “Two mothers,” they said about them.

“At the end of January 1985, with the score 5:2, Karpov and I were even driven out of the Hall of Columns in the House of the Unions. Because Karpov, despite his assurances that he was about to press me, could not win, and here the members of the Politburo were dying one by one, and for the farewell ceremonies it was necessary to vacate the territory. Then Karpov handed over the third game, and the question was not even that he was physically exhausted and could not continue to play ... He became psychologically uncomfortable - he was just scared, and most importantly, those who were behind him frightened.

But it was Klara Shagenovna who separated them.

First she told her son:
- You need to focus on chess. And if you want to marry an actress, it's better to marry an entire factory hostel at once. She will infect you with a bad disease!
When Neelova became pregnant, Klara Shagenovna inspired her son that bastard may have a negative impact on sports career. Ambitious Harry, who had already won the world title, did not object. His mother told the press: "This is not our child." As if hinting at the fact that Neelova was dating another man in parallel. The proud actress did not utter a word then. But the daughter Nika, whom she gave birth to, turned out to be like two drops of water similar to Kasparov. Neelova's colleagues at the Sovremennik Theater were outraged by the act of the grandmaster, and Valentin Gaft publicly declared:
- Kasparov is not worthy to be received in a decent house.

“I almost stopped seeing Marina. Parting became inevitable. Therefore, I was completely sure that the child she was carrying could not be mine. Each of us already had a separate personal life. I tried to put it all out of my head and focused on chess."(From Garry Kasparov's book "Child of Change")

In 1987, Marina Neelova's daughter, Nika, was born, like two peas in a pod, similar to Garry Kasparov.

Now Nick is 28 years old. She went to first grade in Paris. Her father was replaced by the current husband of Neelova - a Russian diplomat Kirill Gevorgyan. It is thanks to Nika's stepfather that school age visited different countries and learned a few foreign languages. Neelova's daughter, a burning brunette, looks very attractive, although she says that she never considered herself a beauty.

Nika studied at the courses of the chief artist of the Moscow Lenkom Theater Oleg Sheintsis. In 2008 she graduated from the Royal Academy of Arts in The Hague. She studied abroad, or rather in the Netherlands, where her father, Kirill Gevorkyan, was appointed ambassador of the Russian Federation several years ago.

It is known that she is not a fan public life and is distinguished by incredible abilities in learning foreign languages. In the Netherlands, she graduated from the academy, her second education, artistic, was already in London, at the design school.

In 2010 she graduated from art school in university college London. Participated in several collective exhibitions, mainly in the Netherlands. In 2010, Nika, with her installation Principles of Obedience, became the winner of the New Sensations competition held by London's Saatchi Gallery. According to the conditions of this prestigious competition, all graduates of the country's art universities are allowed to participate. But from the numerous applicants at its first stage, 20 of the best are selected, whose works are exhibited at the art fair in London. And only four winners receive a grant to create new projects. After winning she got a lot interesting offers, she had a solo exhibition in London.

Her work has also been shown at exhibitions in Basel, Switzerland, Paris, Lithuania and Germany. "Principles of Obedience" and another work were purchased for the Saatchi Gallery. And the rest went to private collections.

Still, my mother was right. She knew that Neelova would still arrange her life, and Garik did not need such a connection. As a result, everyone is happy.

The whole theatrical Moscow was gossiping about the romance of young Kasparov with the wonderful actress Marina Neelova. When they met, Marina was 37 years old, and Garik was 21.

In 1984, Kasparov met actress Marina Neelova. He was 21 years old, and he was the youngest contender for the title of world champion in the history of chess.

He then lived in Baku and visited Moscow only on short visits. Neelova received a young lover in her apartment on Chistye Prudy. But in the light they have repeatedly appeared together. When in 1984 Kasparov first met Anatoly Karpov in a world title match, Neelova was sitting in the hall next to the chess player's mother.

“At the end of January 1985, with the score 5:2, Karpov and I were even driven out of the Hall of Columns in the House of the Unions. Because Karpov, despite his assurances that he was about to press me, could not win, and here the members of the Politburo were dying one by one, and for the farewell ceremonies it was necessary to vacate the territory. Then Karpov handed over the third game, and the question was not even that he was physically exhausted and could not continue to play ... He became psychologically uncomfortable - he was just scared, and most importantly, those who were behind him frightened.

But it was Klara Shagenovna who separated them.

First she told her son:
- You need to focus on chess. And if you want to marry an actress, it's better to marry an entire factory hostel at once. She will infect you with a bad disease!
When Neelova became pregnant, Klara Shagenovna inspired her son that an illegitimate child could negatively affect his sports career. Ambitious Harry, who had already won the world title, did not object. His mother told the press: "This is not our child." As if hinting at the fact that Neelova was dating another man in parallel. The proud actress did not utter a word then. But the daughter Nika, whom she gave birth to, turned out to be like two drops of water similar to Kasparov. Neelova's colleagues at the Sovremennik Theater were outraged by the act of the grandmaster, and Valentin Gaft publicly declared:
- Kasparov is not worthy to be received in a decent house.

In 1987, Marina Neelova's daughter, Nika, was born, like two peas in a pod, similar to Garry Kasparov.

Now Nick is 28 years old. She went to first grade in Paris. Her father was replaced by Neelova's current husband, Russian diplomat Kirill Gevorgyan. It was thanks to her stepfather that Nika visited different countries at school age and learned several foreign languages. Neelova's daughter, a burning brunette, looks very attractive, although she says that she never considered herself a beauty.

It is known that she is not a fan of public life and has incredible abilities in learning foreign languages. In the Netherlands, she graduated from the academy, her second education, artistic, was already in London, at the design school.

In 2010 she graduated from the School of Art at University College London. Participated in several collective exhibitions, mainly in the Netherlands. In 2010, Nika, with her installation Principles of Obedience, became the winner of the New Sensations competition held by London's Saatchi Gallery. According to the conditions of this prestigious competition, all graduates of the country's art universities are allowed to participate. But from the numerous applicants at its first stage, 20 of the best are selected, whose works are exhibited at the art fair in London. And only four winners receive a grant to create new projects. After the victory, she received many interesting offers, she had a solo exhibition in London.

Marina Neyolova was born in Leningrad in a family that had nothing to do with theater and cinema. Her mother, Valentina Nikolaevna, volunteered for the front from her student days and served as a radio operator in Murmansk throughout the Great Patriotic War. Participated in fierce battles. The war prevented her from pursuing a higher education. Then Marina was born, and the mother devoted herself entirely to raising her daughter.

Parents instilled love for art in Marina from childhood. They often went with their daughter to concerts and performances. Her father, trying to introduce her to painting, hung his own watercolors on the walls. Mom regularly took her thin, graceful girl to ballet classes. Marina's love for ballet remained for life. The main thing for her has always been theater. According to her, she never imagined herself as anyone other than an actress.

Admission to LGITMiK

After graduating from school, in 1964, Marina applied to the Leningrad Institute of Theater, Music and Cinematography (LGITMiK). The competition was, as always, very large - one hundred people per place. In the crowd of tall beauties, the miniature modest Marina felt like a kind of mouse: thin, her legs were “strings”, her eyes were frightened, her voice breaks with excitement ... “What is it? - If only some kind of chair was placed on the stage, behind which you can hide and read an excerpt from there.
There was no chair, and Marina, gathering all her will into a fist, began: "An excerpt from the novel War and Peace. Marya Lvovna Kurakina with her daughter!" The choice of text was not the best - for sure, "Natasha's First Ball" had already set the examiners on edge. But Marina managed to impress. With a trained eye, the seasoned Lgitmik professors immediately discerned a huge dramatic talent in the girl. She was accepted into the course of very famous St. Petersburg teachers - Irina Meyerhold, daughter of the famous director and theater reformer Vsevolod Meyerhold, and her husband, famous actor Vasily Vasilyevich Merkuriev.

While studying at the institute, Marina Neyolova declared herself to be a very extraordinary actress. Merkuriev himself noted her study in his diary with a spectacular phrase: "Her biomechanical crow is just like a living one."

In 1969, Marina Neyolova graduated from the institute. She had every chance to get into the troupe of some famous theater. As the actress herself admits, she literally dreamed of the BDT and its legendary director Georgy Tovstonogov. But ... Neyolova did not even show up at the BDT. I was afraid not to like it, not to do it - and not to cope with a terrible injury at the very beginning of the journey. Having entered the staff of Lenfilm, she lulled herself into a completely childish dream: she would act in some successful film, and Tovstonogov himself would notice her and invite her to his theater. "Complete nonsense, of course." She was and, they say, still remains a terrible coward ...

Tovstonogov, by the way, after the "Old, old fairy tale" noticed the young actress, told his people that they should meet with the actress, that, they say, the filmmakers would ruin her. But while Tovstonogov was getting ready, Neyolova quit the film studio and left for Moscow - into the unknown. "And it is very vain, - Georgy Alexandrovich commented on this act then - She will lose everything." However, Tovstonogov was sometimes wrong.
In 1971, Marina Neyolova got a job at the Mossovet Theater with Yuri Zavadsky. She worked there for a short time. She played in Ivan Bukovchan's play "Heart of Luigi, or Execution with a blunt sword", which no one remembers anymore. She rehearsed with Anatoly Efros, whom everyone remembers and still idolizes. He then staged Edvard Radzinsky's "Turbaza", but the performance was banned.

At that moment, the talented young director of Sovremennik, Valery Fokin, drew attention to Neyolov. Together with Konstantin Raikin in 1974 they invited her to enter their play "Valentin and Valentina". What does case mean acting biography! Before Neelova, Irina Akulova played this role, but she left the theater. Before Neyolova, Irina Muravyova was called for this role, but she refused to leave for Sovremennik from the Children's Theater. And for Marina Neyolova, the play by Mikhail Roshchin became not just a successful debut on the stage, but the beginning of a big and happy one, noticed by everyone. theatrical biography. Since then, she has been serving at Sovremennik for almost thirty years.

During this time, she played in such performances as: "Twelfth Night" (Viola), "The Cherry Orchard" (Anya), "Three Sisters" (Masha), "Inspector" (Marya Antonovna) and others.

graceful actress

"She moves around the stage like a restless cat ... she has the voice of a spoiled girl and an erotic appearance that electrifies the audience," critics said about her. Her fragility, grace, waist of 54 centimeters are immensely appreciated by fashion designers. Vyacheslav Zaitsev, dressing Neyolova for the play "The Cherry Orchard", specially went to Paris for lace, silk and ostrich feathers, because he believed that dressing such a woman otherwise would be a crime!

Marina Mstislavovna's weight has always been "ballet". 45 kilograms, and not a gram more! Entering any elevator, Neyolova will certainly bounce: only then does the elevator agree to carry its load ... Once, standing on the scales on some southern resort, Neyolova was delighted: "48! Really managed to get better!" A woman passing by instantly dispelled her illusions: "Lady, why are you weighing yourself with a watermelon!" ...
Shy Marina was always complex because of her thinness. Fuel was added to the fire by malicious colleagues. For example, Konstantin Raikin so thoughtfully and thoughtfully told her: "Well, I like your legs! They wriggle so, writhe ..."

Neyolova made her film debut while still in her third year - she starred in Nadezhda Kosheverova's film "The Old, Old Tale". There she played two roles at once - a capricious princess and a dreamy daughter of an innkeeper.

The first roles of the actress in the cinema were fabulously romantic ("Shadow", "Prince and the Pauper"; "Broken Horseshoe") or lyrical ("Color white snow"; "We are waiting for you, guy!"). The bright dramatic talent of the actress, her ability to show sincere feelings at the limit of human emotions was revealed in the role of Nina in the film "Monologue".

In the cinema, Neyolova brilliantly manages to embody the images of vulnerable, fragile, unprotected heroines, who nevertheless stubbornly defend personal independence - Stepanida Bazyrina ("With you and without you", Golden Femina Prize at the International Festival in Brussels), Sasha Nerodova (" Just Sasha"), Valentina Kostina ("Word for Protection"), Nina Georgievna ("Photos on the Wall"), Alla ("Autumn Marathon", State Prize of the RSFSR for 1981).

After filming his TV movie "Night of Errors" (1975), Mikhail Kozakov, the director, admitted that he was delighted with Neyolova's performance: she takes the matter so seriously that star fever she is not threatened.
Having established herself in a dramatic role, the actress again experienced a penchant for lyrical comedy or light farce ("Handsome Man"; "Ladies Invite Cavaliers"; "Carousel"; "Another's wife and husband under the bed"; "We are cheerful, happy, talented" ).

Following famous phrase that art requires sacrifice, Marina Neyolova sacrificed both her comfort and her health. Where in the west can you find a star who was forced to film a sex scene in a dilapidated house in winter? This is how the scene in the "Autumn Marathon" was filmed. The actors lay under the covers, and between them, contrary to the rules fire safety, there was a heater.

On the set of the film "With You and Without You", director Rodion Nakhapetov forced Marina, who played a farm worker, to carry a bag full of stones for several weeks, get up at dawn, milk cows and goats, mow grass, chop wood, weed flax ...

In the same film, Juozas Budraitis was supposed to hit her. In the first takes, he hit her delicately, but still quite hard - the actress fell, hit the cart. But everything seemed unconvincing to the director, so we will ask him to beat "more naturally". As a result, at the end of the shooting day, natural bruises and abrasions flaunted on Neyolova's face.

Since the mid-80s, Neyolova has been removed less and less. At the same time, she alternates between modern dramatic (" Dear Elena Sergeevna", 1988; "You're the only one with me", the "Nika" award) and costume-historical tragicomic images ("Shadow, or Maybe everything will work out", TV movie "Inspector", 1996; "The Barber of Siberia").
The great interest of the audience was aroused by the picture of Yevgeny Tatarsky "Prison Romance" (1993), staged on the basis of real events. Marina Neyolova played the main female role in this film - the prosecutor's office investigator Elena Shemelova, who fell in love with a prisoner.

In the cinema, the soul of Neyolova rushed from one director to another and was torn to pieces. But directors, screenwriters, partners, and even composers, she came across only good or very good ones. She starred with Ilya Averbakh and Semyon Aranovich, Eldar Ryazanov and Mikhail Kozakov, Vadim Abdrashitov and Margarita Mikaelyan, Rodion Nakhapetov and Ivan Kiasashvili, Nikita Mikhalkov and Roman Balayan ... She recited in the frame the texts of Alexander Nikolaevich Ostrovsky and Evgeny Schwartz, Dunsky and Valery Frid, Yevgeny Gabrilovich and Alexander Volodin, Alexander Mindadze and Alexander Borodyansky ... She sang the melodies of Viktor Dashkevich and Oleg Karavaichuk, Andrei Petrov and Alfred Schnittke, and even Sergei Kuryokhin ... She loved the heroes of Andrei Mironov and Oleg Dal, Sergei Yursky and Stanislav Lyubshin to the point of self-forgetfulness, to the point of fainting, Konstantin Raikin and Oleg Tabakov, Oleg Basilashvili and Mikhail Ulyanov, Juozas Budraitis and Leonid Kuravlev, Alexander Zbruev and Alexander Abdulov… Not fate, but a great Soviet film dictionary.

Romance with Garry Kasparov

“Neyolova always wants to protect, she seems to be too fragile for this world,” this is how her male colleagues speak of her. When Marina's two-year tender love for the strongest chess player ended in failure, almost the entire Moscow artistic audience came to her defense. Valentin Gaft, for example, publicly stated that Kasparov would no longer be received in any self-respecting house ...

Marina met Harry in 1984 while visiting pianist Vladimir Krainev. Kasparov was 21 years old. Neelova - 16 years more. What could unite these two, it would seem, such different people? Probably the fact is that someone's talent has always irresistibly acted on Marina. And Kasparov was affected by the tantalizing charm of Neyolova. “Outside the stage, they said that she was the woman who hides her soul deep inside, like a rose - thorns. In short, she was an extraordinary woman,” he wrote in his book a few years later.

And the age difference... So Neyolova has always been "not of this world", and the earthly concept of age is poorly applicable to her.
Kasparov liked older women, fit for the role of "second mother", always patronizing and not too demanding. Yes, but Neyolova was not suitable for the role of a guardian mother. She herself had to be protected and supported.

Harry lived in Baku, visited Moscow only on short visits. Marina never flew to him herself. Next to Harry was his mother - Klara Shagenovna - an imperious woman who recognizes only one value in life - her son's career. She put an end to this love. The specter of marriage ties that could interfere with her son's career scared her terribly. After listening to his mother, Harry stopped all relations with Neyolova.

Family life

And yet Marina found her happiness. Once on vacation, she met diplomat Kirill Gevorkyan. Love was swift, the marriage became happy. Having married, a self-sufficient and in every sense a successful actress, Neyolova soon stunned her audience. She, madly cherishing her main treasure - the theater, donated it for the sake of her family. For five years she lived with her husband and daughter Nika in Paris, where Kirill Gevorkyan, an adviser to the Russian Embassy, was sent. Nika went to first grade in Paris.

But it soon became clear that Marina could not live without a stage. For several years, Marina managed to live "in two countries." During these years, the repertoire of Sovremennik was adapted to an actress living thousands of kilometers from Chistye Prudy! Having won back, Neyolova went to the airport ...

Then Gevorkyan's diplomatic mission in France ended, the family returned to Moscow. Neyolova's life entered the "quiet shores": the theater - the house, the house - the theater. Motherhood for her turned out to be as much a "work of life" as art. Her daughter Nika is a lovely long-legged creature, somewhat reminiscent of the Neylov girls and princesses played in the theater and in the cinema. Over the years, the daughter becomes more and more like her famous mother. And those around them claim that there is more than enough character in her Neilovsky. According to Soviet concepts, Marina Neyolova gave birth to a daughter rather late. But, apparently, because it was a conscious and passionate desire, the birth of a daughter gave the actress such a feeling of happiness and fullness of life.

Theater and cinema in last years

In recent years, Marina Neyolova has acted extremely rarely in films. In the detective series "Azazel" based on the novel of the same name by Boris Akunin, she played Lady Esther, and in the film "Lady for a Day" - Annie.

While the actress is not acting, she is kept afloat, her theater helps her live. In today's repertoire of the actress - Ranevskaya in "The Cherry Orchard" by A.P. Chekhov, Maria Antonovna in "The Government Inspector" by N.V. performance "Playing ... Schiller!" (a stage version of F. Schiller's tragedy "Mary Stuart"), Princess Cosmonopolis and Heavenly in the play "Sweet Bird of Youth".

Confession

Her talent was recognized, and very early. What is especially important - recognized "old men". As if they knew and felt that the tradition of service, and not service in the theater, missions, and not games, this actress will pick up and not shame. Blessed her through the newspaper famous actress TsATSA Lyubov Dobzhanskaya. After one of her first films ("Monologue"), Neyolova's partner Mikhail Gluzsky called her granddaughter for many years and told miracles about the young actress. Faina Ranevskaya, who was by no means flattering, adored her and said many flattering words to her. The playwright Mikhail Roshchin, as if in some bewilderment and even with fright, exclaimed: "When I see Neyolova on stage, it seems to me that she always plays as if for the last time." Four years after graduation, her portrait was placed on the cover of the Soviet Screen magazine. At that time, this was called popular recognition and expression of the audience's love.

Liya Akhedzhakova about Marina Neyolova: “She causes admiration and surprise. And always. By her behavior in life, in the theater, attitude to the profession. Pasternak has a line “the root of beauty is courage.” This is absolutely applicable to Marina. She is characterized by courage in actions both in life and on stage.

She is amazing in her profession. Actors, like other people, feel their biorhythms, bad state and mood, sometimes it is so difficult to play. But I never noticed this with Marina. Not because she doesn't feel it, but because she overcomes it.

She treats her profession as a mission. Her excitement before the premiere cannot even be described. This is not the fear of failure, like most actors, but the excitement before they accept your offspring. She is absolutely honest with the audience. Never fumbles. One of the few who truly serves the Art. She never had satiety, well-being, "package", as they say now. God gave her thin skin and exposed nerves. But I have never seen in the theater her manifestations of hysteria, any breakdowns, "female nerves." It is not difficult with her, God protected her with a humble and cheerful character, which is a miracle for such a major actress."